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Razsežnosti barve v globokem tisku
ID Lupus, Gloria Ana (Author), ID Frelih, Črtomir (Mentor) More about this mentor... This link opens in a new window

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/7196/ This link opens in a new window

Abstract
Magistrsko delo predstavi raziskovalno delo na področju grafike z namenom raziskovanja barve kot osrednjega likovnega problema. Navadno je barva primarni problem slikarstva, kvalitetno in samostojno pa se jo lahko obravnava tudi v grafični sferi globokega tiska. V nalogi so natančno opredeljene in analizirane t. i. barvne dimenzije, ključni parametri, ki definirajo izraznost barve. Nadalje so bile v nalogi preučene kvalitete barve in predstavljena pojma kromatski agens in kromatski efekt. V empiričnem delu je predstavljena grafična serija Cikličnost, ki obsega 28 monokromnih barvnih grafičnih listov. Serija je razdeljena na pet barvnih sklopov: modrega, zelenega, rdečega, rumenega in sivega. Ob nastajanju serije je bilo raziskano, kako izbira tehnike globokega tiska vpliva na pojavnost barve, kako na dimenzije barve vpliva čas jedkanja in kako pomembna je izbira pigmenta.

Language:Slovenian
Keywords:barvne dimenzije
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Year:2022
PID:20.500.12556/RUL-136767 This link opens in a new window
COBISS.SI-ID:108122627 This link opens in a new window
Publication date in RUL:25.05.2022
Views:461
Downloads:27
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Secondary language

Language:English
Title:Colour dimensions in intaglio printmaking
Abstract:
My Master thesis presents research work in the field of printmaking, with the intention of exploring colour as the main artistic theme. Colour is usually the primary theme in painting, but we can thoroughly and individually examine it within the sphere of intaglio printmaking as well. In the thesis I characterize and analyze the so-called colour dimensions – the key parameters that define expression of colour. I study colour’s characteristics and present the terms chromatic agent and chromatic effect. In the empiric part I present a printmaking series called Moon time, which contains 28 monochrome coloured prints. The series is divided into five colour segments: blue, green, red, yellow, and gray. I was interested in the way intaglio affects colour appearance, how the duration of etching affects the dimensions of colour, and how important is the choice of pigment.

Keywords:colour dimensions

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