Upesnjevanje Neizrekljivega v slovenski katoliški liriki iz druge polovice 19. stoletja in prve polovice 20. stoletja

Mirkac, Lucija (author), Snoj, Vid (mentor), Bjelčevič, Aleksander (mentor)

Magistrska naloga se ukvarja s primerjavo slovenske katoliške lirike iz okvirno druge polovice 19. stoletja in slovenske katoliške lirike izbranih avtorjev iz prve polovice 20. stoletja. Oba vzorca interpretira skozi prizmo upesnjevanja Neizrekljivega in s tem povezanih elementov. Poudarek je zlasti na specifičnih simbolih in metaforah, ki kažejo na Neizrekljivo, na specifikah na področju interpunkcije, predvsem pa na odkrivanju katafatičnih in apofatičnih elementov, prek katerih se odstira oziroma zastira podoba Boga. Osrednje vprašanje je, na kakšen način se z upesnjevanjem Neizrekljivega spopadajo izbrani avtorji iz obeh obdobij in iz tega razloga analizi sledi še primerjava obeh vzorcev na vseh naštetih ravneh.

• Language: Slovenian
• Keywords: literatura in religija, slovenska katoliška lirika, Neizrekljivo, metafore, simboli, apofaza, katafaza, podoba Boga
• Work type: Master's thesis/paper
• Organization: FF - Faculty of Arts
• Place of publishing: Ljubljana
• Publisher: [L. Mirkac]
• Year: 2021
• Number of pages: 400 str.
• PID: 20.500.12556/RUL-135094
• COBISS.SI-ID: 98565379
• Publication date in RUL: 22.02.2022

Secondary language

• Language: English
• Title: The Poetization of the Ineffable in the Slovene Catholic Lyric of the Second Half of the 19th Century and the First Half of the 20th Century

Abstract

This master's thesis compares Slovenian Catholic lyric of the second half of the 19th century and Slovenian Catholic lyric by selected authors of the first half of the 20th century. It interpretates both through the prism of the poetization of the Ineffable and related elements. The emphasis lies especially on specific symbols and metaphors that point to the Ineffable, on specifics in the field of punctuation, and above all on discovering the cataphatic and apophatic elements, through which the image of God is either revealed or obscured. The central question is in what way the selected authors of both periods deal with the poetization of the Ineffable, and for this reason the analysis is followed by a comparison of both samples on said levels.

• Keywords: literature and religion, the Slovenian Catholic lyric, the Ineffable, metaphors, symbols, apophasis, kataphasis, the image of God