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Instalacijska umetnost in poizkusi sprememb participacije / Ne deluje, postaja
ID Bricelj, Maks (Author), ID Barši, Jože (Mentor) More about this mentor... This link opens in a new window, ID Vignjević, Tomislav (Mentor) More about this mentor... This link opens in a new window, ID Vogelnik, Borut (Co-mentor)

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Abstract
V teoretskem delu sprva orišem polje instalacijske umetnosti, participacije in relacijske estetike. V to polje naknadno vnašam še druge okvire sodobnih diskurzov zavoljo preizkušanja zmožnosti preoblikovanja kontekstov in ga obenem odpiram naproti fleksibilnim razširitvam skozi fikcijsko-filozofske prostore spekulativnih teorij od neomaterializma do novih materializmov. Praktični del obsega ateljejsko in študijsko realizacijo umetniških del, skupaj z razstavnimi projekti izven prostorov in organizacije akademije. Dela so sestavljena iz umetniških instalacij s poskusi interaktivnih nastavkov participacij in izborom heterogenih kosov, ki tvorijo materialno akumulacijo omenjenih instalacij. (V ta del so vneseni zapisi o ateljejskem delu, z dodanimi poskusi kritične eksplikacije.)

Language:Slovenian
Keywords:kiparstvo, instalacijska umetnost, brikolerstvo, asemblaž, relacijska estetika, participatorna umetnost, neomaterializem, hoardanje, magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2021
PID:20.500.12556/RUL-133363 This link opens in a new window
Publication date in RUL:24.11.2021
Views:577
Downloads:86
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Secondary language

Language:English
Title:Installation art and attempts of changing participation / Inoperative, becoming
Abstract:
Theoretical thesis consists of reading into fields of installation art, participation and relational aesthetics. Additionally within these fields I am also including frameworks of contemporary discourse to further examine capacities of redesigning/redefining/broadening contexts, expanding them towards flexible extensions through fictional-philosophical and speculative theoretical bases from neomaterialism to new materialisms. Practical divison contains studio and study realizations of artworks combined with exhibitions and projects completed outside the productions of the Academy’s programme. Works comprising of art installations with interactive schemes in participation attempts are selections of heterogenous pieces, which form a growth of material acummulation of aforementioned works. (This section includes notes within studio practice, with critical explication appendix.)

Keywords:sculpture, installation art, bricolage, assemblage, relational aesthetics, participation art, neomaterialism, hoarding, MA thesis

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