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Oblika risarskega nosilca in likovni odziv otrok v 2. starostnem obdobju
ID Novak, Špela (Author), ID Podobnik, Uršula (Mentor) More about this mentor... This link opens in a new window

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/7025/ This link opens in a new window

Abstract
Avtorji Kurikuluma za vrtce (1999) so zapisali, da »umetnost omogoča otroku udejanjanje ustvarjalnih potencialov, ki se kažejo v otrokovem igrivem raziskovanju in spoznavanju sveta« (Bahovec D. idr., 1999, str. 37), od odraslih pa je odvisno, koliko raznovrstnih izkušenj bomo otroku omogočili. V diplomskem delu Oblika risarskega nosilca in likovni odziv otrok v 2. starostnem obdobju sem v teoretičnem delu predstavila teorije različnih avtorjev o splošnih značilnostih likovnega razvoja otrok, specifičnih temah, ki se nanašajo na oblike nosilcev, pomena ustvarjalnosti odraslega ter njihovega omogočanja in spodbujanja različnih izkušenj in pomena svobode izražanja, ki se sprva začne pri nas, odraslih. Večji poudarek sem namenila likovni vzgoji v predšolskem obdobju in opisom nosilcev risarske informacije – katere vrste poznamo, kakšen vpliv imajo, kako poteka obvladovanje teh pri otrocih in pomen uporabe teh. V empiričnem delu sem na osnovi opazovalnih listov in ocenjevalnih lestvic raziskala, kako in na kakšen način se otroci odzivajo na neobičajne oblike risarskih nosilcev, ki s svojo zunanjo podobo ne kažejo na nekaj že obstoječega. Te popolnoma izmišljene in naključno izrezane oblike so pokazale, da pri otrocih spodbudijo veliko domišljije, ustvarjalne svobode in prepletanje več miselnih povezav. Prepoznati je bilo, da so oblike nosilca otrokom vtisnile v spomin podobo, ki so jo videli v izbrani obliki nosilca, z risanjem nanjo pa so ji določili vsebino in pomen. Nastajali so prepoznavni in neprepoznavni objekti, ki so jih otroci poimenovali ali celo umestili v zgodbo. S prenosom risanja izbrane oblike na običajni risarski nosilec, list A4, so nekateri otroci objektu dodali več podrobnosti, ki so umestile neobičajno obliko risarskega nosilca v prostor in posledično v zgodbo.

Language:Slovenian
Keywords:likovna vzgoja
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Year:2021
PID:20.500.12556/RUL-133190 This link opens in a new window
COBISS.SI-ID:84897027 This link opens in a new window
Publication date in RUL:17.11.2021
Views:564
Downloads:162
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Secondary language

Language:English
Title:Drawing medium format and artistic response of children aged 3 to 6 years
Abstract:
Authors of The Kindergarten Curriculum (1999) wrote that »art enables children to realize their creative potential, which is expressed in their creative exploring and learning about the world« (Bahovec D et al., 1999, p. 37), and it is up to adults to provide children with diverse experience. In the theoretical part of the paper, titled Drawing Medium Format and Artistic Response of Children Aged from 3 to 6 Years, I presented theories of different authors about general characteristics of children's artistic development, specific topics about drawing mediums, the significance of adults’ creativity for children and their possibility to provide and encourage different experience as well as the significance of freedom of expression, which starts with adults. Particular attention was devoted to artistic education in the preschool period. I also described mediums of artistic information – which types there are, what their impact is, how they are used by children and what the significance of their use is. In the empirical part, I studied, based on observation sheets and rating scales, how and in what way children react to unusual formats of drawing mediums which do not reflect something that already exists. It was determined that these fictional and randomly cut formats encourage children's imagination, creative freedom and intertwinement of mental connections. Children were noticed to memorise the perceived format of drawing mediums, and by drawing, they determined their content and significance. In doing so, they created recognizable and unrecognizable objects, which children named or even placed in a story. By drawing the selected format on a regular drawing medium (an A4 sheet), some children added more detail to the object, which placed the unusual format of the drawing medium in space and, consequently, in a story.

Keywords:artistic education

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