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Motiv Križanja v misalih 15. in 16. stoletja
ID Marolt, Tanja (Author), ID Germ, Martin (Mentor) More about this mentor... This link opens in a new window

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Abstract
Pri obravnavi lesorezne ilustracije sem se omejila na ljubljanski prostor in na najpomembnejšo, celostransko upodobitev križanja, četudi misali vsebujejo tudi drugo bolj ali manj bogato likovno opremo. H končnemu izgledu knjige svoje pridajo tudi vezava v usnje z vtisnjenim okrasjem, okovje, izbira papirja in vtiskovanje vodnih znakov. Misale hranijo ljubljanska Narodna in univerzitetna knjižnica, Semeniška knjižnica in knjižnica Narodnega muzeja Slovenije. Omejila sem se na 15. in 16. stoletje, saj sta bili v našem umetnostnem prostoru nekoliko zapostavljeni. S prehodom iz ročne poslikave knjig v rabo lesoreznih matric podobe v knjigah izgubijo sijajnost in s stališča bralca niso več tako privlačne. To pa ne velja za raziskovanje kontinuitete slikovnega okrasja liturgičnih knjig, saj so le-te še vedno predstavljale vrhunec knjižne produkcije.

Language:Slovenian
Keywords:misal, križanje, lesorez
Work type:Bachelor thesis/paper
Organization:FF - Faculty of Arts
Year:2021
PID:20.500.12556/RUL-132818 This link opens in a new window
Publication date in RUL:04.11.2021
Views:659
Downloads:123
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Secondary language

Language:English
Title:Crucifixion Illustrations of Missals in the 15th and 16th Century
Abstract:
While studying woodcut illustrations, I focused on the Ljubljana area and on the most important full-page depiction of the crucifixion. The missals also contain other fine art elements that contribute to the final visual image of the book, such as: leather binding with embossed decorations, fittings, selection of paper and watermarks. The books are kept in the National and University Library, the Seminary Library and Slovenian National Museum’s library. I limited myself to the 15th and 16th centuries, as the woodcut illustration of that period has been somewhat neglected. With the introduction of printed book illustrations, the images lost some of their lustre and were no longer as attractive from the reader's point of view. However, this does not apply to liturgical books, given that they continue to represent the peak of book production.

Keywords:missal, crucifixion, woodcut

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