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Kinetična skulptura pod vplivom naravne sile svetlobe
ID Barborič Vesel, Nana (Author), ID Makše, Roman (Mentor) More about this mentor... This link opens in a new window

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/7003/ This link opens in a new window

Abstract
Umetniki so v svoja dela začeli vključevati gibanje iz različnih vzgibov in z različnimi cilji, vsak po svoje pa so tako tradicionalni umetnosti dodali povsem novo estetsko in perceptivno dimenzijo neskončnih razsežnosti. Umetnost, ki uporablja in se ukvarja z gibanjem, imenujemo kinetična umetnost. Ta se na gibanje neposredno navezuje ter ga vključuje v umetniško delo. Takšno delo je dinamično in se nenehno spreminja. Element gibanja je odgovoren za korenite metamorfoze v naši maniri vizualiziranja zunanjega ‒ in notranjega ‒ sveta (Kepes, 2002). V svojem diplomskem delu raziskujem povezavo umetnosti in narave v obliki kinetične skulpture. Osredotočila sem se na gibanje kot posledico naravnih sil in pojavov ter na vidika naključnosti in nedoločnosti. Obravnavam likovno področje kiparstva, tako da poleg različnih konceptov raziskujem tudi različne materiale in kiparske tehnike. V teoretičnem delu predstavljam glavne pojme, povezane s kinetično umetnostjo, zgodovino in njen razvoj, začetnike in pomembne predstavnike. Na kratko predstavim tudi slovenske predstavnike na tem polju in sodobne rešitve. Zlasti se osredotočam na naravni pojav svetlobe in vizualne učinke svetlobnega gibanja; odsev, senco, migetanje, žarek, odboj. Svetloba me prevzema zaradi svoje nevidne moči; je vir vsega našega vidnega sveta, ob tem pa gre za najbolj neotipljiv in nematerialen naravni element (Pirc, 2010). Je neverjetno sublimna, nevsiljiva in ima neverjeten vpliv na gledalca. V praktičnem delu predstavim svojo umetniško prakso, v kateri sem raziskovala kinetično skulpturo pod vplivom naravnega pojava svetlobe. Prikažem različne kinetične skulpture, ki jih umeščam v različna okolja. Raziskujem različne načine gibanja; dejansko in zgolj vizualno, ki ga nepremičen kip doseže ob gibanju svetlobe. Ukvarjam se s percepcijo gledalca – mimoidočega in njegovo reakcijo na kiparsko intervencijo v urbanem prostoru.

Language:Slovenian
Keywords:kiparstvo
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:PEF - Faculty of Education
Year:2021
PID:20.500.12556/RUL-132575 This link opens in a new window
COBISS.SI-ID: 82872835 This link opens in a new window
Publication date in RUL:05.11.2021
Views:1124
Downloads:142
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Secondary language

Language:English
Title:Kinetic sculpture under the influence of the natural force of light
Abstract:
Artists began to incorporate movement into their work from different motives and with different goals, each in their own way adding a whole new aesthetic and perceptual dimension of infinite dimensions to traditional art. Art that uses and deals with movement is called kinetic art. Kinetic art relates directly to movement and incorporates it into the work of art. Such work is dynamic and constantly changing. The element of movement is responsible for radical metamorphoses in our way of visualising the external and internal world. ( Kepes, 2002 ) In my thesis I explore the connection between art and nature in the form of a kinetic sculpture. I focus on movement as a consequence of natural forces and phenomena and on the aspects of chance and indeterminacy. I address the artistic field of sculpture by exploring not only different concepts but also different materials and sculptural techniques. In the theoretical part, I present the main concepts related to kinetic art, the history and development of this art, its pioneers and important representatives. I also briefly present Slovenian representatives in this field and contemporary solutions. In particular, I focus on the natural phenomenon of light and the visual effects of light movement; reflection, shadow, flicker, beam, reflection. Light fascinates me because of its invisible power; it is the source of all our visible world, and at the same time it is the most intangible and immaterial natural element (Pirc, 2010). It is incredibly sublime, unobtrusive and has an incredible impact on the viewer. In the practical part I presented my artistic practice through which I explored kinetic sculpture under the influence of the natural phenomenon of light. I present different kinetic sculptures that I have placed in different environments. I explore the different modes of movement; actual and purely visual, that a stationary sculpture achieves through the movement of light. I have been concerned with the perception of the viewer - the passer-by and their reaction to the sculptural intervention in urban space.

Keywords:sculpture

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