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Delitev in členjenje od abstraktne oblike proti figuralni obliki
ID Marinko, Mojca (Avtor), ID Makše, Roman (Mentor) Več o mentorju... Povezava se odpre v novem oknu

URLURL - Predstavitvena datoteka, za dostop obiščite http://pefprints.pef.uni-lj.si/6951/ Povezava se odpre v novem oknu

Izvleček
V diplomski nalogi sem povezala likovno teorijo, se pravi osnovne elemente in kiparske oblike starih civilizacij in kiparstvo modernizma, katero je črpalo svoje ideje ravno od nje – neevropske stare kulture. Izpostavila sem tri moderniste: Constantina Brancusija, Henryja Moora in Barbaro Hepworth in primerjala nekaj njihovih del z kiparskimi deli starih civilizacij. Skozi svojo interpretacijo sem preko skic in risb iz siporeksa oblikovala pet oblik zarodka – embria, ki si sledijo od preproste abstraktne oblike proti figuralni, jih postavila v različna okolja in jih na koncu zabeležila v obliki fotografije. Oblikovne značilnosti starih civilizacij sem primerjala z kiparskimi deli omenjenih kiparjev in poiskala podobnosti in razlike, na koncu pa sem naredila še primerjavo z mojim lastnim delom. Teorijo in praktični del sem povezala ter jo naslovila z dveh zornih kotov: likovno-teoretičnega in likovno praktičnega. V likovno teoretičnem delu sem na kratko opisala nekaj zgodovine in oblikovnih značilnosti različnih neevropskih starih civilizacij in potegnila vzporednice z kiparstvom modernizma in omenjenimi predstavniki. V likovno praktičnem delu, pa sem poskusila prikazati razvoj abstraktne oblike iz siporeksa v figuralno obliko, ter jih postavila v različna okolja. Na koncu je sledila interpretacija lastnega dela in primerjava z kiparstvom starih civilizacij ter kiparji moderne dobe Brancusija, Moora in Hepworth, od katerih navdih sem črpala tudi sama.

Jezik:Slovenski jezik
Ključne besede:kiparstvo
Vrsta gradiva:Diplomsko delo/naloga
Tipologija:2.11 - Diplomsko delo
Organizacija:PEF - Pedagoška fakulteta
Leto izida:2021
PID:20.500.12556/RUL-131657 Povezava se odpre v novem oknu
COBISS.SI-ID:78589955 Povezava se odpre v novem oknu
Datum objave v RUL:13.10.2021
Število ogledov:938
Število prenosov:158
Metapodatki:XML DC-XML DC-RDF
:
MARINKO, Mojca, 2021, Delitev in členjenje od abstraktne oblike proti figuralni obliki [na spletu]. Diplomsko delo. [Dostopano 5 april 2025]. Pridobljeno s: http://pefprints.pef.uni-lj.si/6951/
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Sekundarni jezik

Jezik:Angleški jezik
Naslov:Division and articulation from abstract form to figurative form
Izvleček:
In my dissertation, I connected the art theory of basic elements and sculptural forms of ancient civilizations with the sculpture of modernism, which drew its ideas precisely from it - non-European ancient culture. I singled out three modernists: Constantin Brancusi, Henry Moore and Barbara Hepworth, comparing some of their works with the sculptural works of ancient civilizations. Through my interpretation of sketches and drawings, I formed five forms of embryo from siporex. I placed forms, which start from a simple abstract form to a figural one, in different environments and finally recorded them in the form of a photograph. I compared design features of ancient civilizations with the sculptural works of the above mentioned sculptors, looking for similarities and differences and in the end comparing them with my own work. I connected the theory and the practical part and addressed it from two angles: art theory and art practice. In the theoretical part, I briefly described some of the history and design features of various non-European ancient civilizations and drew parallels with the sculpture of modernism and the aforementioned sculptors. In the practical part, I tried to present the development of the abstract form to the figural form, using siporex forms and placing them in different environments. In conclusion I interpreted my own work and I compared it with the sculpture of ancient civilizations and sculptors of the modern era - Brancusi, Moore and Hepworth, from whom I also drew my inspiration.

Ključne besede:sculpture

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