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Moč transformiranja in problematika teme v animiranem filmu
ID Kaštrun, Dora (Author), ID Bricelj, Suzana (Mentor) More about this mentor... This link opens in a new window, ID Kamnik, Andrej (Co-mentor)

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Description: Ujemi! (kratki animirani film)

Abstract
V magistrskem delu se ukvarjam s procesom ustvarjanja kratkega animiranega filma. Nastali film je ustvarjen po lastni zgodbi, zato je na začetku teoretičnega dela kratko poglavje o strukturi zgodb. V nadaljevanju so po generalni teoriji animiranega filma in ilustracije opisani vsi nujni koraki za izdelavo kratkega animiranega filma. Ti se začnejo z likovno zasnovo, ki zajema razvoj karakterjev, iskanje likovnega izraznega sloga in risanjem oz. slikanjem ozadij. Teorija, ki spremlja prakso, se dotakne zgodborisa in oživi v t.i. animatiku - zgodborisu, ki mu je dodana časovna komponenta. Sledi predstavitev in analiza izbranih del drugih avtorjev, katerih praksa se mi je zdela primerna iztočnica in zgled za izdelavo moje animacije. Pred zaključnim delom, ki zajema montiranje in dodajanje zvoka, bo tudi poglavje posvečeno samemu “oživljanju” likov oz. njihovemu animiranju.

Language:Slovenian
Keywords:vizualne komunikacije, animacija, kratki animirani film, zgodba, transformiranje oblik, svetlo temni kontrast, animirani liki, sekvenčna umetnost, magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2021
PID:20.500.12556/RUL-131065 This link opens in a new window
Publication date in RUL:22.09.2021
Views:522
Downloads:129
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Secondary language

Language:English
Title:The Power of Transformation and the Problem of Darkness in Animated Film
Abstract:
This master's thesis examines the process of creating a short animated film. Since the presented film is based on a story written by the author of this thesis, the theoretical part of the thesis opens with a short chapter on the structure of stories. Next, this thesis describes all the necessary steps for creating a short animated film in accordance with the general theory of animated film and illustration. Artistic design is described first, including character development, search for a style of artistic expression, and drawing or painting of backgrounds. The theory, which accompanies the practical part of the thesis, touches upon the storyboard and comes to life in the so-called animatic – storyboard with an added time component. This thesis then presents and analyses selected works of other authors, who were selected based on their practical work, as it seemed as an appropriate basis and example for creating presented animation. Before the final part of this thesis, which examines montage and adding of sound, one chapter focuses on how to bring characters to life or how to animate them.

Keywords:visual communications, animation, animated film, story, transforming shapes, light and dark contrast, animated characters, sequential art, MA thesis

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