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Drugost prostora in kraja
ID Vrbek, Karin (Author), ID Sedlaček, Sašo (Mentor) More about this mentor... This link opens in a new window

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Abstract
V diplomski nalogi raziskujem kraje in prostore, ki se razlikujejo od antropološkega pojmovanja kraja. Od filozofije, antropologije in sociologije do umetnosti predstavim različne načine spoprijemanja s temo drugosti krajev in prostorov. Ob prebiranju čtiva izstopa pojem drugosti, odnosa, ki ga vzpostavljamo na vseh možnih mestih. S tem razumevanje krajev postane prevpraševanje sebstva in posledično odnosa do tistega drugega, ki ni jaz. Tako kot ustvarjamo meje lastnega telesa, ustvarjamo tudi meje prostora in množice, ki ji je vstop dovoljen. To pripelje do segregacij in tako imenovanih praznih prostorov. Odločitev, da se osredotočim na nekraje, ki jih srečujemo na potovanjih, izhaja iz lastne fascinacije z njimi. Ti nam omogočajo, da v samoti postanemo opazovalci ljudi, skozi katere lahko analiziramo lastno vedenje in se urimo v sprejemanju drugih. Vendar do tega pridemo le z lastno željo in ne zgolj dispozicijo, ki nam jo nudijo nekraji. Z ustvarjanjem filma Impresije odtujenega potnika predstavljam lastno dojemanje nekrajev, ki je vidno v trenutkih, ki se jih odločim zapečatiti. Vizualnost dopolnjujem s podnapisi, ki so zapisi razmišljanj, ki jih v meni vzbujajo potovanja.

Language:Slovenian
Keywords:slikarstvo, nekraji, heterotopija, svetišče porabe, potovanje, javna prevozna sredstva, samota, drugost, poetika vsakdanjosti, diplomska naloga
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2021
PID:20.500.12556/RUL-130902 This link opens in a new window
Publication date in RUL:18.09.2021
Views:1351
Downloads:96
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Secondary language

Language:English
Title:The otherness of space and place
Abstract:
In my bachelor thesis, I explore places and spaces which differ from the anthropological conception of place. From philosophy, anthropology, sociology to art, I present different ways of dealing with the theme of the otherness of places and spaces. While going through books and articles, what stood out the most was the notion of otherness, a relation which we establish in all possible places. Thus understanding places become a questioning of the self and consequently questioning of relations to those other than me. Just as we create the boundaries of our own body, we also make the boundaries of space and the crowd which is allowed to enter it. This leads to segregation and so-called empty spaces. The decision to focus on the places we encounter on our travels stems from my fascination with them. They allow us, within our solitude, to become observers of people, through which we can analyze our behaviour and train ourselves in accepting others. However, we can arrive at such a conclusion only with our desire and not just the disposition offered to us by the non-places. By creating the film Impressions of an Alienated Passenger, I present my perception of non-places, which is visible in the moments I decide to commemorate. I compliment the visuals with subtitles, which are records of the thoughts that travel evokes in me.

Keywords:painting, non-places, heterotopia, the temple of consumption, travelling, public transport, solitude, otherness, poetics of everyday life, BA thesis

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