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Konserviranje-restavriranje polihromiranega lesenega Putta iz Narodne galerije
ID Zobec, Monika (Author), ID Vuga, Martina (Mentor) More about this mentor... This link opens in a new window

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Abstract
Diplomsko delo z naslovom Konserviranje-restavriranje polihromiranega lesenega Putta iz Narodne galerije obravnava konservatorsko-restavratorski poseg na umetnini, ki je bil opravljen na konservatorsko-restavratorskem oddelku Narodne galerije. Kipec Putto je bil v celoti prekrit s plastmi prahu in večkrat preslikan, zato je bil cilj konservatorsko-restavratorskega posega izboljšati estetiko umetnine in jo predstaviti v podobi, ki bi bila bližje prvotni. Ker je bila slikovna plast kipca zelo krhka, ji je bilo treba najprej zagotoviti stabilnost in nato na varen način dokončati ostale postopke. Ti so vključevali preiskovanje originalnih plasti, utrjevanje, čiščenje, odstranjevanje sekundarnih barvnih plasti, kitanje in retuširanje. Pri sprejemanju odločitev o postopkih in materialih smo spoštovali etične principe. Materiale, nanesene v preteklosti, smo uspešno in varno odstranili. Kljub obsežnim poškodbam smo manjkajočo barvno plast uspešno dopolnili z retušo. S postopkom je kipec Putto estetsko precej pridobil ter dosegel stanje, ki omogoča varno hranjenje in razstavljanje.

Language:Slovenian
Keywords:konservatorstvo-restavratorstvo, lesena plastika, utrjevanje, čiščenje, odstranjevanje preslikav, kitanje, polikromacija, retuša, diplomsko delo
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2021
PID:20.500.12556/RUL-130596 This link opens in a new window
Publication date in RUL:16.09.2021
Views:665
Downloads:114
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Secondary language

Language:English
Title:Conservation-restoration of polychromed wooden Putto from National Gallery
Abstract:
The BA thesis titled Conservation-Restoration of Polychromed Wooden Sculpture Putto from the National Gallery of Slovenia deals with the conservation-restoration treatment performed at the Conservation-restoration department of the National Gallery of Slovenia. The statue of Putto was completely covered with layers of dust and it was overpainted several times, so the aim of the conservation-restoration treatment was to improve the aesthetics of the artwork and to present it in the condition closest to the original. After investigating the original paint layers, we first stabilized the very fragile paint layer so that the following steps could be completed safely. We consolidated, cleaned, removed secondary paint layers, filled the missing gesso ground and retouched it. When making decisions on each procedure and materials, we followed ethical principles. We successfully removed materials applied to the surface in the past. Despite extensive damage, we successfully retouched the missing paint layer. We achieved the goals of the conservation-restoration treatment, improved the artwork aesthetics and established a condition that allows safe storage and display.

Keywords:conservation-restoration, wooden sculpture, cpnsplidation, cleanind, overpaint removal, filling, polychromy, retouching, BA thesis

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