Ideologija v glasbi in ideologija o glasbi

Pompe, Gregor (author)

Glasba se zdi skoraj v celoti ideološka, pri čemer se ideološke vsebine glasbenemu substratu dodajo tako v aktu ustvarjanja kot tudi aktu recepcije, zaradi česar je mogoče govoriti o ideologiji v glasbi in ideologiji o glasbi. Vzrok za takšno ozko povezanost glasbe in ideologije leži v negotovem semantičnem statusu glasbe. Glasba sicer primarno ni semantična oz. referencialna, vendar pa se v procesu sprejemanja odpira širokemu pomenskemu območju, tudi ideološkemu.

• Language: Slovenian
• Keywords: glasba, ideologija glasbe, semantika glasbe, referencialnost glasbe, politika, ideologija, funkcija
• Typology: 1.08 - Published Scientific Conference Contribution
• Organization: FF - Faculty of Arts
• Year: 2012
• Number of pages: Str. 77-82
• PID: 20.500.12556/RUL-127731
• UDC: 78:316.75
• COBISS.SI-ID: 49264482
• Publication date in RUL: 21.06.2021

Record is a part of a monograph

• Title: Ideologije v slovenskem jeziku, literaturi in kulturi : zbornik predavanj
• Editors: Aleksander Bjelčevič
• Place of publishing: Ljubljana
• Publisher: Znanstvena založba Filozofske fakultete
• Year: 2012
• ISBN: 978-961-237-511-9
• COBISS.SI-ID: 262248704

Secondary language

• Language: English

Abstract

Music seems to be almost completely ideological, whereby the ideological component is added to the musical substrate both in the act of creation and in the act of reception, because of which it is possible to speak of ideology in music and ideology about music. The reason for such a close connection between music and ideology lies in the uncertain semantic status of music. Music is not primarily semantic or referential, but its reception process opens a broad semantic area, including the ideological.

• Keywords: music, ideology of music, semantics of music, referentiality of music, politics, ideology, function