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Politično gledališče. Primer: Slovensko mladinsko gledališče (predstava Naše nasilje in vaše nasilje) : primer: Slovensko mladinsko gledališče (predstava Naše nasilje in vaše nasilje)
ID Munda, Živa (Author), ID Stanković, Peter (Mentor) More about this mentor... This link opens in a new window

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Abstract
V diplomski nalogi me je zanimal vpliv političnega, provokativnega gledališča na slovensko strokovno javnost. Kot primer takega gledališča sem izbrala predstavo Oliverja Frljića iz leta 2016, z naslovom "Naše nasilje in vaše nasilje". Z analizo zbranih trinajstih odzivov in kritik iz slovenskega medijskega prostora, zapisanih o predstavi, sem ugotavljala stališča analiziranih avtorjev do takega radikalnega gledališča, do njene predstavnice ter znotraj zapisanih kritik poiskala diskurze. Tako sem ugotovila, da je slovenska strokovna javnost političnemu in provokativnemu gledališču Oliverja Frljića večinsko naklonjena, diskurzi, ki se pojavljajo, pa so predvsem družbeno in politično kritični ter moralni, pojavlja pa se tudi formalni diskurz in diskurz gledališča v "službi" buržoazne publike.

Language:Slovenian
Keywords:politično gledališče, Oliver Frljić, Bertolt Brecht, diskurz.
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FDV - Faculty of Social Sciences
Place of publishing:Ljubljana
Publisher:[Ž. Munda]
Year:2021
Number of pages:44 str.
PID:20.500.12556/RUL-125548 This link opens in a new window
UDC:792:316.77(043.2)
COBISS.SI-ID:57836035 This link opens in a new window
Publication date in RUL:24.03.2021
Views:1185
Downloads:188
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Secondary language

Language:English
Title:Political theater. Example of Mladinsko Theater (performance Our violence and Your violence) : diplomsko delo
Abstract:
The main focus in my thesis was the effect of political, provocative theater on the slovenian community of experts. An example of this kind of theater is Oliver Frljić's play "Our violence and your violence" from 2016. The analysis of thirteen responses and critiques of the play from slovenian media showed that the majority of their authors are fond of Frljić's theater and his play, and this kind of political and radical theater in general. Finally, my main focus was finding which type of discourse appeared in the analysed responses and critiques. There was recognized socially- critical and politically-critical discourse and also ethical one. In many of critques there was also formal discourse and discourse of theater in the "service" of bourgeois audiences.

Keywords:political theater, Oliver Frljić, Bertolt Brecht, discourse.

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