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Animirana pripoved s kredno risbo za gledališko predstavo "Nekje drugje" režiserja Tina Grabnarja
ID Medved, Matija (Author), ID Erič, Milan (Mentor) More about this mentor... This link opens in a new window

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Abstract
“Nekje drugje” je animirana pripoved s kredno risbo v produkciji Lutkovnega gledališča Ljubljana, ki je namenjena otrokom. Zgodba predstavi nesmiselnosti vojne in njenih hudodelstev skozi otroške oči. Igralka na vrtečo se tablo riše svet, po katerem se sprehaja narisana deklica, ki v predstavi čudežno oživi. To omogoča dopolnjujoča animacija, ustvarjena s tehniko stop animacije, projicirana na tablo. S pomočjo dinamičnega video mapiranja in senzorjev, ki vgrajeni v mizo v živo sledijo vsem premikom mize, se briše meja med risano in projicirano sliko. V uprizoritvi sta besedilo in animacija v nenehnem odnosu, kjer se recipročno dopolnjujeta. Govor, projicirana animacija in likovna podoba vzporedno ustvarjajo celotno zgodbo ter kot osrednji elementi igrajo enakovredno vlogo. Prve primere in širšo uporabo video projekcij v gledaliških predstavah beležimo že ob nastanku kinematografije v prvi polovici 20. stoletja, in sicer predvsem v Nemčiji, zahvaljujoč vizionarskemu režiserju E. Piscatorju.

Language:Slovenian
Keywords:vizualne komunikacije, animacija, lutkovna predstava, gledališče, vojna tematika, video, video mapiranje, likovna podoba, scenografija, otroška predstava, magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2021
PID:20.500.12556/RUL-124804 This link opens in a new window
Publication date in RUL:19.02.2021
Views:992
Downloads:197
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Secondary language

Language:English
Title:Animated chalkboard tale for a theatre show "Somewhere else" by the director Tin Grabner
Abstract:
“Nekje drugje” is a children's animated chalkboard theater play produced by the Ljubljana Puppet Theater. The story presents the absurdities of war through the eyes of a child. The actress draws an imaginary world on a rotating board, where a chalk drawn girl character walks and magically comes to life in the play. This is made possible by the stop animation projected on the board. With the help of dynamic video mapping and sensors built into the rotating board that tracks its movement, the boundary between the drawn and projected image is blurred. In the performance, the text and the animation are in a constant relationship, where they reciprocally complement each other. Speech, projected animation and visual art play an equal role as central narrative elements. Early examples and wider use of film projections in theater plays are recorded in the first half of the 20th century and especially in Germany, where the director E. Piscator stands out as the leading pioneer.

Keywords:visual communications, animation, puppet production, theater, war theme, video, video mapping, art direction, scenography, children's theatre production, MA thesis

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