The contribution discusses some basic concepts of Einstein's physics - space, time and movement - which were first adopted by the Russian Constructivists and then by Kosovel. At the same time, Kosovel used a spherical mirror to emphasise the difference between the traditional lyric and the spatial "cons" as a field of post-gravitational reading. Spherical geometry, by crossing and bending lines, transcends the Euclidian engineering sketch in the poem itself. The upper and lower parts of the "cons", which are deformed in the spherical mirror (hooked nose, red chrysanthemum), and the central self-citational part, which experienced diminution and inversion, polemicises with the principle of mimesis, with the principle of identification and inspiration, and the principle of artistic autonomy
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