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Kameni cikel - Fotografsko raziskovanje kamnolomov
ID Teršek, Jaka (Author), ID Djukić, Emina (Mentor) More about this mentor... This link opens in a new window, ID Koštrun, Peter (Comentor)

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Abstract
V prvem delu diplomske naloge je orisan koncept prostora – kako prostor dojema znanost in kako umetnost. V nadaljevanju je kot izpeljanka prostora predstavljena krajina, pojasnjena je razlika med naravno in kulturno krajino. Sledi kratek zgodovinski pregled upodabljanja krajine z začetki v renesančnem slikarstvu vse do izuma fotografije sredi 19. stoletja. Skozi pomembnejša fotografska gibanja od začetkov pa do sodobne fotografije je predstavljeno dojemanje fotografije v navezavi na krajino. Najprej je orisana svetovna fotografska zgodovina, sledi pregled slovenske fotografske misli. Predstavljeni so avtorji, ki so vplivali na moj avtorski razvoj. V zadnjem delu je predstavljen praktični del naloge, ki obsega konceptualna izhodišča, izvedbo in vrednotenje nastalega projekta.

Language:Slovenian
Keywords:vizualne komunikacije, fotografija, kulturna krajina, krajinska fotografija, kamnolom, manipulacija, diplomska nalog
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2020
PID:20.500.12556/RUL-120417 This link opens in a new window
Publication date in RUL:19.09.2020
Views:1349
Downloads:365
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Secondary language

Language:English
Title:The Cycle of Rock - Photographic explorations of quarry
Abstract:
In the first part of the thesis the concept of space is described. The correlation between space in art and space in science is briefly shown. The first chapter is followed by landscape theory and the difference between cultural and natural landscape is described. The brief history of landscape painting starts in Renaissance and ends in the middle of 19th century when photography is invented. Then you follow the path which photography took from it's invention to contemporary examples with emphasis on landscape photography. In first part you get to know global course of photography later followed by history of Slovenian photography. There are examples which influenced my artistic practice. In the last part the practical segment is presented. It starts with the concept, it's development and then ends with author's own thoughts about working through the project.

Keywords:visual communications, photography, cultural landscape, landscape photography, quarry, manipulation, BA thesis

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