Situacionistični film. Obravnava postopka détournement v filmih Guya Deborda

Žagar, Zala (author), Kreft, Lev (mentor), Petek, Polona (co-mentor)

Diplomska naloga obravnava avantgardno politično-umetniško skupino Situacionistična internacionala in se osredotoča na analizo umetniškega, subverzivnega postopka détournement v filmih Guya Deborda. Analizi, ki uporabo postopka raziskuje skozi štiri elemente: uporabo tujih citatov, ženskega telesa, tujih filmov in montaže, sledi primerjava kritike vsakdanjega življenja v Debordovih filmih s kritiko v filmu Moj stric (Mon oncle, 1958) Jacquesa Tatija, sodobnika situacionistov, in analiza Debordovega ustvarjanja skozi Rancièrejev pojem Nevednega učitelja.

• Language: Slovenian
• Keywords: Situacionistična internacionala, Guy Debord, détournement, film, Jacques Rancière, Jacques Tati.
• Work type: Bachelor thesis/paper
• Organization: FF - Faculty of Arts
• Year: 2020
• PID: 20.500.12556/RUL-119850
• Publication date in RUL: 12.09.2020

Secondary language

• Language: English
• Title: Situationist film. Analysis of détournement method in films of Guy Debord

Abstract

The thesis discusses the avant-garde political and artistic group The Situationist International and analyses their subversive art method détournement in the films of Guy Debord through four elements: use of different citations, use of female body, use of different films and use of montage. Comparison of everyday life critique in Debord’s films with the everyday life critique in Jacques Tati's film My Uncle (Mon oncle, 1958), a contemporary of the Situationists, and analysis of Debord’s films and its effect on the viewer through Rancière’s concept of the Ignorant Schoolmaster.

• Keywords: Situationist International, Guy Debord, détournement, film, Jacques Rancière, Jacques Tati.