The present thesis explores impersonality in selected nature poetry by Emily Dickinson and Maja Vidmar, defining impersonality as an exit from the poetic attitude of expressing the author's own emotions. It is based on the determination of depersonalization approaches that are used by the aforementioned authors in their poems about nature (object poem, self-insertion poem and allegorical poem). In the following, these approaches are connected to the narratological analysis of lyric poetry, which, in addition to the precise systematization of the components of the lyrical narrative, with its basic concept of separating the dimensions of sequentiality and mediacy, enables a connection between the manner of expression and the lyric thematization of the attitude towards nature.
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