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Vizualizacija čustev
ID Batista, Nika (Author), ID Kirbiš, Dušan (Mentor) More about this mentor... This link opens in a new window

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Abstract
Čustva so lahko razlog zakaj umetniško delo nastane, prav tako pa so lahko posledica izkušnje z umetniškim delom. Teoretični del vsebuje teorije kako ljudje doživljamo čustva, kateri so lahko sprožilci teh čustev, kako so čustva vpletena v umetniška dela, kako so lahko čustva prenesena v fizično obliko in kako so lahko ista čustva gibalno izražena. V praktičnem delu je poudarek na vizualizaciji treh izbranih emocij: intime, občudovanja in melanholije. Prek oblikovanja oblačil so čustva vizualizirana in vsakemu oblačilu je dodan pripadajoči tekstilni panel. Celotni projekt je predstavljen in zaključen v performansu, kjer avtorica s pomočjo treh performerjev zaključi celoten proces raziskovanja in ga s tem podari drugim v interpretacijo.

Language:Slovenian
Keywords:čustva, razpoloženje, vizualizacija, performans, performativno, modno oblikovanje
Work type:Master's thesis/paper
Organization:NTF - Faculty of Natural Sciences and Engineering
Year:2020
PID:20.500.12556/RUL-115947 This link opens in a new window
Publication date in RUL:01.05.2020
Views:748
Downloads:185
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Secondary language

Language:English
Title:Visualization of Emotions
Abstract:
Emotions can be the reason why an art piece is created but they can also be the consequence of experience with an art piece. The theoretical part focuses on how people experience emotions and what can trigger them, and on visual perception and emotional relationship with what is seen. It also deals with how emotions can be transferred into physical form and how can they be expressed through movement. The practical part is focused on the visualisation of the following emotions: intimacy, admiration and melancholy. All these emotions are reflected in the design of clothing, and a corresponding textile panel is added to each piece of clothing. The complete project is presented in a performance where the author and three other performers finish the process of exploration and thus leave it to others for interpretation.

Keywords:emotions, mood, visualisation, performance, performative, fashion design

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