Vzorčenje pletiv in strukturnih žakarskih vzorcev za kolekcijo pletenin

Bednjanec, Jona (author), Burger Kovič, Katja (mentor), Pavko Čuden, Alenka (co-mentor)

Namen magistrskega dela Vzorčenje pletiv in strukturiranih žakarskih vzorcev za kolekcijo pletenin je predstaviti načine barvnega in strukturnega vzorčenja votkovnih pletiv, likovno opredeliti žakarski vzorec, raziskati zgodovino pletenin in modo oblačilnih pletenin ter izdelati kolekcijo pletenih žakarskih vzorcev za vrhnje pletenine. V magistrskem delu so predstavljeni raziskave in eksperimenti na področju barv in kombinacij različnih grafičnih vzorcev. Osnova za razvoj barvnih in vzorčnih kombinacij so bili pletenine in vzorci iz 70. in 80. let 20. stoletja. Izhodišče za kolekcijo so bili predvsem vrhnji kosi oblačil, med njimi pa je največ pozornosti posvečene puloverju. Pestro vzorčeni puloverji so bili značilni za tisti čas, saj so jim v odziv na takratno množično proizvodnjo enobarvnih pletenin začeli dajati prednost ne le oblikovalci, ampak tudi ženske, ki so pletle zase in za svoje domače. Navdih za kolekcijo se je črpalo iz obdobja, ko se je pletenje na pletilnikih za domačo uporabo zelo razširilo. Takrat so zaradi velikega povpraševanja po pletenju začeli izdajati revije z navodili za pletenje v tistem obdobju modernih modelov. Kolekcija temelji na sestavljanju grafičnih vzorcev in na barvnih kontrastih, urejenih v sodobne in sveže kompozicije. Tradicija pletenja na pletilnikih za domačo uporabo se je ohranila do danes, v času sodobne izdelave in najnovejše mode pletenih oblačil. S kombiniranjem barvnega in strukturnega vzorčenja se gradi videz, ki je avtorski in s tem svojevrsten.

• Language: Slovenian
• Keywords: pletenje, kolekcija vrhnjih pletenin, žakarsko pletivo, vzorčenje pletiv, pletilnik za domačo uporabo, barvni kontrasti
• Work type: Master's thesis/paper
• Organization: NTF - Faculty of Natural Sciences and Engineering
• Year: 2020
• PID: 20.500.12556/RUL-114402
• Publication date in RUL: 27.02.2020

Secondary language

• Language: English
• Title: Sampling of knitted fabrics and structured jacquard patterns for a knitwear collection

Abstract

The purpose of the master’s thesis with the title Sampling of Knitted Fabrics and Structured Jacquard Patterns for a Knitwear Collection is to present ways of colour and structure sampling of weft-knits, to define the jacquard pattern in visual terms, to study the history of knitwear and fashion of knitwear, and to create a collection of knit jacquard patterns for outer knitwear. The thesis presents research and experiments as regards both colours and combinations of various designs. Colour and pattern combinations are derived from the knitwear and patterns dating to the 1970s and 1980s. The collection is mainly based on outwear, with a special focus on sweater. Sweaters featuring diverse patterns were typical of the time; not only fashion designers but also women who knitted for themselves and for their families started to prefer such sweaters as a reaction to the mass production of monochrome knitwear of the time. The inspiration for the collection came from the time when the use of domestic knitting machines became very widespread. This was a time when, due to an increased demand for knitwear, magazines with instructions for knitting popular models started to appear. The collection is based on assembling designs and on colour contrasts arranged so as to create latest compositions. The tradition of using domestic knitting machines has been preserved up to the present day, the time of state-of-the-art production and the latest fashion of knitwear. By combining both colour and structure samples it is possible to create an appearance of individuality and, as a result, of uniqueness.

• Keywords: knitting, collection of outer knitwear, jacquard knitted fabric, knitted fabric sampling, domestic knitting machine, colour contrasts