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La simple vie de Gervaise Macquart
ID Rimanovska, Milica (Author), ID Marinčič, Katarina (Mentor) More about this mentor... This link opens in a new window

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Abstract
Predmet te magistrske naloge je predstavitev lika Gervaise Macquart v Zolajevem romanu L'Assommoir: njenega boja in končnega propada v kruti družbi Francije v drugi polovici 19. stoletja. Skozi analizo njene osebnosti ter njenih funkcij v družbi (mati, delavka-perica, žena, ljubica, v končni fazi alkoholik) skušamo prikazati glavne težave tedanjega delavskega razreda. Émile Zola je kot glavni predstavnik literarne šole naturalizma imel znanstven pristop k svojemu delu, iz česar izvira verodostojnost njegovih likov, med katere sodi tudi Gervaise Macquart. V zaključnem delu magistrske naloge je predstavljena recepcija romana, ki ga kritiki in bralci še danes štejejo za vzorčni primer Zolajevega pisateljskega genija in brezčasnosti njegove pisave.

Language:French
Keywords:Gervaise Macquart, Zola, Beznica, recepcija
Work type:Master's thesis/paper
Organization:FF - Faculty of Arts
Year:2019
PID:20.500.12556/RUL-111903 This link opens in a new window
Publication date in RUL:17.10.2019
Views:1179
Downloads:183
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Secondary language

Language:English
Title:The simple life of Gervaise Macquart
Abstract:
The subject of this master thesis is the presentation of Gervaise Macquart, the protagonist of Émile Zola's novel L´Assommoir: her struggle and her descent, due to the rigid conditions in the French society in the second half of the 19th century. Through an extensive analysis of her personality and her function in society as a mother, laundrywoman, wife, lover and finally as an alcoholic, we can discern the main problems of the working class at that time. As the main representative of the literary school of naturalism, Émile Zola had a scientific approach to his work, hence the authenticity of his presentation of the characters, among them Gervaise Macquart. Finally, the thesis resumes the reception of the novel by the public and the critics since its publication until the present times, emphasising its universal, timeless value.

Keywords:Gervaise Macquart, 19th century, reception, Zola

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