Rekonstrukcija in reinterpretacija prizora

Dolenc Rojko, Kristijan (author), Černelč, Robert (mentor), Sedlaček, Sašo (co-mentor)

V teoretičnem delu diplomskega dela raziskujem prakse umetnikov, kot so Eric Fischl, Peter Doig, Chuck Close, Gerhard Richter, Duane Michals in Julie Cassels, ki so uporabljali fotografijo ter film kot glavni izhodišči za svoja dela. Zadnja dva umetnika se ukvarjata s pripovedništvom skozi serijo fotografij in z uporabo različnih filmskih kadrov, zato v svojem diplomskem delu tudi razložim, kaj so kader, sekvenca in prizor. V nadaljevanju predstavljam digitalni proces dela, saj gre za proces, v katerem sem ustvaril svoje slike na podlagi kadrov iz filma Trelkovsky, ki sem ga posnel, ter o seriji slik kot novi pomenski celoti, ki predstavljajo glavni del mojega diplomskega dela. Nato preidem skozi produkcijske faze in postprodukcijo omenjenega filma. V zadnjem delu sem opredelil še filmski plakat, ki tako kot film zajema eno od faz pri nastanku mojih slik in s serijo le-teh tvori nekakšno zaključeno celoto. V praktičnem delu sem posnel prizor iz filma Podnajemnik (režija Roman Polanski, 1976), ki sem ga rekonstruiral in avtorsko reinterpretiral. Iz vsakega kadra sem izbral specifičen filmski trenutek, ki sem ga digitalno naslikal v programu Photoshop. Slike sem sestavil v novo sekvenco in s tem ustvaril novo pomensko celoto. S postavitvijo slik v novem medsebojnem odnosu sem gledalca postavil v novo zgodbo in mu omogočil novo branje.

• Language: Slovenian
• Keywords: Slikarstvo, film, rekonstrukcija, reinterpretacija, sekvenca, digitalno slikarstvo
• Work type: Bachelor thesis/paper
• Organization: ALUO - Academy of Fine Arts and Design
• Year: 2019
• PID: 20.500.12556/RUL-111300
• Publication date in RUL: 27.09.2019

Secondary language

• Language: English
• Title: Reconstruction and reinterpretation of the scene

Abstract

In the theoretical part of the diploma thesis I explore the practices of artists such as Eric Fischl, Peter Doig, Chuck Close, Gerhard Richter, Duane Michals and Julie Cassels, who used photography and film as the main starting point for their works. The last two artists deal with storytelling through a series of photographs and using different movieshots, so I also described what are shots, sequences, and scenes. In then describe the digital process of work as it is a process in which I painted my images based on the shots from the film Trelkovsky, which I made, and the series of images as a new meaningful whole, which are the main part of my thesis. Then I presented the production stages and post-production of the film Trelkovsky. In the last part, I also defined a film poster, which, like the film, is one of the stages in the creation of my paintings, and with a series of my paintings forms a kind of completed whole. In the practical work I recorded a scene from the film The Tenant (directed by Roman Polanski, 1976), which I reconstructed and reinterpretaded. From every frame I chose a specific movie moment, which I have digitally painted in Photoshop. I put together the images in a new sequence and thus created a new semantic whole. By placing pictures in a new relationship, I put the viewer into a new story and gave him a new reading.

• Keywords: Painting, movie, reconstruction, reinterpretation, sequence, digital painting