In the theoretical part of the diploma thesis I explore the practices of artists such as Eric Fischl, Peter Doig, Chuck Close, Gerhard Richter, Duane Michals and Julie Cassels, who used photography and film as the main starting point for their works. The last two artists deal with storytelling through a series of photographs and using different movieshots, so I also described what are shots, sequences, and scenes.
In then describe the digital process of work as it is a process in which I painted my images based on the shots from the film Trelkovsky, which I made, and the series of images as a new meaningful whole, which are the main part of my thesis.
Then I presented the production stages and post-production of the film Trelkovsky.
In the last part, I also defined a film poster, which, like the film, is one of the stages in the creation of my paintings, and with a series of my paintings forms a kind of completed whole.
In the practical work I recorded a scene from the film The Tenant (directed by Roman Polanski, 1976), which I reconstructed and reinterpretaded. From every frame I chose a specific movie moment, which I have digitally painted in Photoshop. I put together the images in a new sequence and thus created a new semantic whole. By placing pictures in a new relationship, I put the viewer into a new story and gave him a new reading.
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