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Ustvarjanje vizualne pripovedi iz apropriiranih posnetkov
ID Bezovšek, Sara (Author), ID Kenda, Boštjan Botas (Mentor) More about this mentor... This link opens in a new window, ID Rauch, Peter (Comentor)

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Abstract
Vsebina magistrskega dela govori o seriji mashup videov o sodobni spletni kulturi in ranljivostih ter potencialnih nevarnostih, ki smo jim izpostavljeni na internetu. Po uvodu se besedilo nadaljuje z opisom pojava avtorja in kasnejših avtorskih pravic v digitalni dobi. Govori o pošteni rabi (fair use) ter predstavi direktivo Evropskega parlamenta in Sveta o avtorskih pravicah na enotnem digitalnem trgu. Nato skozi te teme in z vizualnimi primeri predstavi kulturo remiksa, umetnost apropriacije ter video mashup. V drugem delu besedila skozi pojav nasilja, tako v resničnem svetu kot v kiberprostoru, predstavi koncepte štirih videov – R L, Revenge Porn, Cyberstalking in Sextortion. Nato je opisan njihov proces izdelave, za zaključek pa so predstavljeni še v samostojni razstavi z naslovom (?_?), ki je potekala v Projektnem prostoru Aksioma.

Language:Slovenian
Keywords:grafično oblikovanje video in novi mediji kratki film apropriacija remiks mashup nasilje pop kultura postinternet razstava magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2019
PID:20.500.12556/RUL-111165 This link opens in a new window
Publication date in RUL:25.09.2019
Views:1914
Downloads:371
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Secondary language

Language:English
Title:Creating visual narratives from appropriated videos
Abstract:
The content of the master's thesis is about a series of mashup videos about contemporary online culture and the vulnerabilities and potential dangers that we are exposed to on the Internet. After the introduction, the text continues by describing the concept of the author and copyright in the digital age. It covers fair use and presents the European parliament Directive on copyright in the digital single market. Those subjects and visuals are then used to present the remix culture, appropriation art and video mashup. In the second part the text introduces four video concepts through the phenomenon of cyber and real-life violence – R L, Revenge Porn, Cyberstalking and Sextortion. That is followed by the description of the creative process, and the works are also presented in an independent exhibition titled (?_?), that took place in the Aksioma project space.

Keywords:graphic design video and new media short movie apropriiation remix mashup violence pop culture postinternet exhibition MA thesis

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