Prehod iz votline: na Platonovi sledi / Peščeni prehod

Dimovski, Domen (avtor), Černelč, Robert (mentor), Kreft, Lev (mentor)

V teoretičnem delu raziskujem tranzicijski čas, v katerem se je znašla današnja družba in posameznik. Začnem s Platonovo prispodobo o votlini, ki jo najprej postavim v kontekst filozofije, umetnosti in znanosti, nato pa analiziram teme, ki jih odpira, tudi s konceptom, kot je Lacanova psihoanalitična metafora zrcalnega stadija. Osredotočim se na nekatere vplive, ki jih je imela na film in filmsko teorijo. Naslednje poglavje začnem z razmislekom o Platonovem svetu idej in vlogi utopij. S pomočjo avtorjev, kot so Hegel, Slavoj Žižek, Frank Ruda, Rosi Braidotti in Immanuel Wallerstein, razmišljam o trendih in posledicah svetovnega sistema na življenje in subjektivnost ljudi. V poglavju o izhodu iz kapitalistične votline predstavim razloge za razočaranje nad revolucijami. Vprašanje svobode in odnosa, ki ga lahko zavzamemo do spremembe, se lotim s filozofijo tranzita Maria Perniole. Med razpravo vključim še interpretacije filmov: Konformist, Iztrebljevalec 2049 in Melanholija. V zadnjem delu predstavim razvoj animiranega filma Peščeni prehod, ki je strukturiran po modelu Platonove votline. Podam pogled na filmsko-pripovedne koncepte, ki so bili ključni za razvoj projekta.

• Jezik: Slovenski jezik
• Ključne besede: Video in novi mediji, animacija, prehod, tranzicijsko obdobje, post-kapitalizem, Platonova prispodoba o votlini, svet Idej, dialektika, pripovedovanje, kratki film, magistrska naloga
• Vrsta gradiva: Magistrsko delo/naloga
• Organizacija: ALUO - Akademija za likovno umetnost in oblikovanje
• Leto izida: 2019
• PID: 20.500.12556/RUL-110558
• Datum objave v RUL: 17.09.2019

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Transition out of the cave: on the track of Plato / Sandy transition

Izvleček

In the theoretical part of the master's thesis, I explore the time of transition in which the present society and individual is situated in. I begin with the famous Plato's Allegory of the cave that I first present in the context of philosophy, art and science. Then, I analyze the themes that it opens, with additional concepts, such as Lacan's psychoanalytic concept of the mirror stage. Next, I focus on the mirror metaphor, which influenced film and film theory. The next chapter begins with a reflection on Plato's world of ideas and the role of utopias. With the help of authors such as Hegel, Slavoj Žižek, Frank Ruda, Rosi Braidotti and Immanuel Wallerstein, I think about the trends and the consequences of the capitalist world-system on our life and subjectivity. In chapter about exiting the capitalist cave I present the reasons for the general disappointment with social revolutions. With the help of Mario Perniola's philosophy of transit I focus on the question of our relation to the change and the issue of freedom. During the discussion, I also include interpretations of films: Conformist, Blade Runner 2049, and Melancholy. In the last part, I present the development of an animated film, which is structured by a model of Plato's cave. I take a look at the film-narrative concepts that were important for the development of the project.

• Ključne besede: Video and new media, animation, transit, age of transition, post-capitalism, Plato’s Cave Allegory, world of Forms, dialectics, storytelling, short film, MA thesis