In the BA thesis I devote myself to the analysis of my works, created in the 3rd year of painting department in the direction of printmaking. Most works involve printmaking approaches, from etching to lithography and other techniques. My printmaking approach is often interwoven with painting and both are complementary and dictate their further creation, so I also include paintings in the analysis. For each set of printmaking and painting works I will represent the shape and theoretical basis for their creation. It works from one stage to another and from one medium of creating the motive to another. The topics deal with the problems that I met through the study. The following is an interpretation of my own painting and printmaking creation, where I focus on the structure of works, often based on so called atemporality. The main purpose of the project is to present a study approach to studio work, embedded in self-critical evaluation and theoretical starting points. I compare my works with authors who have influenced my creativity. In the comparative analysis, through the interpretation of their works, I breakdown the internal structure of my own creation.
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