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Konserviranje-restavriranje fragmenta stropne poslikave iz hiše na Mestnem trgu 10 v Ljubljani
ID Novak, Anja (Author), ID Šeme, Blaž (Mentor) More about this mentor... This link opens in a new window, ID Mladenovič, Ajda (Co-mentor)

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Abstract
Obravnavani predmet tega dela je poslikava iz hiše na Mestnem trgu 10 v Ljubljani, kjer je bilo odkritih več plasti dekorativnih poslikav in preslikav. V drugem nadstropju hiše v eni od sob strop ni bil stabilen, zato je bila poslikava sneta. V prvem delu je tako opredeljena problematika snemanja poslikav, kamor spadata tudi komunikacija in sklepanje kompromisov z lastniki. V nadaljevanju opišem poseg snemanja in nadaljnje konservatorsko-restavratorske postopke na snetem fragmentu. Posamezne preslikave so bile ustrezno dokumentirane. Zaradi nestabilnosti vmesnih opleskov in tankih preslikav pa je prezentirana najstarejša plast, to je baročni motiv s plastično osenčeno rozeto. Poslikava je prenesena na nov prenosni nosilec ter povezana z dekorativnim ometom. Izvedena je točkasta retuša, postopno grajena z apnenimi barvami in akvareli, omejena na mesta poškodb in razpok. Sneta stropna poslikava je vrnjena lastniku stanovanja, kjer bo predstavljena kot premičen stenski dekor.

Language:Slovenian
Keywords:konservatorstvo-restavratorstvo kulturna dediščina stropna poslikava snemanje rozeta preslikave prenos na nov nosilec retuša magistrsko delo
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2019
PID:20.500.12556/RUL-110021 This link opens in a new window
Publication date in RUL:11.09.2019
Views:1634
Downloads:195
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Secondary language

Language:English
Title:Conservation-restoration of a fragment ceiling painting in bourgeois house
Abstract:
The subject of this thesis is the mural painting in the building at Mestni trg 10, Ljubljana, where multiple decorative painted layers and overpaints have been discovered. The ceiling in one of the rooms in the building’s second storey was found to be unstable, which necessitated the detachment of the painting. The first part of the thesis thus deals with the problem of detaching the painting, including communicating and negotiating compromises with the building owners. The part that follows describes the detachment process itself, as well as the procedures associated with construction and conservation-restoration works that were subsequently performed on the detached fragment. Individual overpaints were duly documented, but because of the instability of the intermediate paint layers and the thin overpaints, it was the oldest layer that has been chosen for presentation ? a baroque motif featuring a plastically shaded rosette. The painting has been transferred to a new, movable support and finished with decorative mortar. We have performed pointillistic retouching of the damaged and cracked sites, with the repairs gradually built up using lime-based paints and watercolours. The detached ceiling painting has been returned to the owner of the apartment to be displayed in the form of movable wall decoration.

Keywords:conservation-restoration cultural heritage ceiling painting detachment rosette over paint layers transfer to movable support retouch MA thesis

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