Pojem časa pri Gillesu Deleuzeu

Močilnik, Vanesa (author), Dolar Bahovec, Eva (mentor)

Diplomsko delo poskuša prikazati pojem časa v filozofiji Gillesa Deleuza s poudarkom na njegovem delu Razlika in ponavljanje. V tem delu je mogoče najti tri časovne sinteze, od katerih smo si za fokalno točko izbrali drugo. Druga sinteza časa je izvorna, apriorna, je spomin, čista preteklost, ki ne podleže reprezentaciji. Obstaja pa neka druga preteklost, katere reprezentacija je mogoča, in na to se bomo navezali predvsem skupaj s pojmovanjem spomina. Na podlagi te izbire delo predstavlja tudi pojma spomina in časa pri Bergsonu, saj se je Deleuze opiral tudi na Bergsonovo filozofijo. Pri Bergsonu je univerzum sestavljen iz realnega in virtualnega, ki se prikazujeta na način podob-zaznav in podob-spominov. Bergsonove podobe-spomini nas pripeljejo bliže k objektom, medtem ko nas spomini pri Deleuzu objektom odtegnejo. Ta struktura univerzuma je tisto, kar Deleuze preoblikuje in kar tvori osrednji problem tako reprezentacije kot spomina.

• Language: Slovenian
• Keywords: Deleuze, Bergson, časovne sinteze, spomin, reprezentacija
• Work type: Bachelor thesis/paper
• Organization: FF - Faculty of Arts
• Year: 2019
• PID: 20.500.12556/RUL-109567
• Publication date in RUL: 06.09.2019

Secondary language

• Language: English
• Title: The Concept of Time in the Philosophy of Gilles Deleuze

Abstract

This undergraduate thesis tries to depict the concept of time in the philosophy of Gilles Deleuze with the emphasis on his work Difference and Repetition. In this work it is possible to locate three syntheses of time, out of which we chose the second one and made it the focal point of this thesis. The second synthesis of time is the origin of time, it is the memory, the so-called pure past, that does not succumb to representation. Alongside this past, there is another one, whose representation is possible, and we will connect this other past with the conception of memory. Based on this choice, the thesis presents Bergson’s concepts of memory and time as well, because he was one of the references Deleuze made. Bergson’s universe consists of the real and the virtual, and they are framed in the way of sense-image and memory-image. Bergson’s memory-image brings us closer to the object, whilst memory in Deleuze take us further away from it. This structure is reconstructed in Deleuze and it is that which consitutes the main issue surrounding both representation and memory.

• Keywords: Deleuze, Bergson, syntheses of time, memory, representation