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Nunčič, Jana (avtor), Kariž, Žiga (mentor), Grafenauer, Petja (komentor)

V diplomskem delu raziskujem performativnost skozi teoretičen pristop s performativnimi akcijami in zaznavo publike. Sprva sem raziskovala modele proizvajanja zaznave, njenega sprejema in razlage, beleženja trenutnih situacij in pomena performativnega v odnosu do akterja samega. S performativnimi akcijami se osredotočam na relacijo situacije v prostoru. S performativnimi akcijami beležim vedenje in odziv drugih v nepričakovanih situacijah. V svojih delih se ukvarjam s percepcijo glavnega akterja v danem okolju. S telesom in njegovo manipulacijo subtilno kot akter prehajam v zaznavo gledalca. Tu ni razlik med vsakdanjim in epskim, zato ne čakam na obrazložitev ali pomen. Naslanjam se na reakcijo drugih. V performativni akciji Spanje, ki jo bom podrobno analizirala, tako vzpostavljam dvoumen pogled na človeka. Sprašujem se o vlogi umetnika in gledalca na način, da svoje vsakdanje življenje postavim v nenavadno situacijo, ki ni nujno opažena.

• Jezik: Slovenski jezik
• Ključne besede: slikarstvo, performans, telo, zaznava, diplomska naloga
• Vrsta gradiva: Diplomsko delo/naloga
• Organizacija: ALUO - Akademija za likovno umetnost in oblikovanje
• Leto izida: 2019
• PID: 20.500.12556/RUL-108464
• Datum objave v RUL: 03.07.2019

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Moment for its own sake

Izvleček

In the bachelor thesis, I research performativity through theoretical approach with performative action and the perception of the audience. Initially, I investigated models which produce perception and their reception and interpretation in relation to the artist and the public. In performative actions, I tracked the routine of everyday life inside the unusual situations and gave focus on the relationship of the situation in the space. Through performance action, I was questioning the behavior and response of others in unexpected situations. In my works, I deal with the perception of the main actor in a given environment. With the body and its manipulation, I pass subtly as an actor in the perception of the viewer. There is no difference between everyday and epic, so I do not wait for an explanation or meaning. I rely on the reaction of others. I will analyze performative action Sleep where I create an ambiguous view on the artist role and the role of the society with putting an ordinary situation in my everyday life in an unusual situation.

• Ključne besede: painting, performance, body, perception, BA thesis