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Nunčič, Jana
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Author
),
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Kariž, Žiga
(
Mentor
)
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,
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Grafenauer, Petja
(
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Abstract
V diplomskem delu raziskujem performativnost skozi teoretičen pristop s performativnimi akcijami in zaznavo publike. Sprva sem raziskovala modele proizvajanja zaznave, njenega sprejema in razlage, beleženja trenutnih situacij in pomena performativnega v odnosu do akterja samega. S performativnimi akcijami se osredotočam na relacijo situacije v prostoru. S performativnimi akcijami beležim vedenje in odziv drugih v nepričakovanih situacijah. V svojih delih se ukvarjam s percepcijo glavnega akterja v danem okolju. S telesom in njegovo manipulacijo subtilno kot akter prehajam v zaznavo gledalca. Tu ni razlik med vsakdanjim in epskim, zato ne čakam na obrazložitev ali pomen. Naslanjam se na reakcijo drugih. V performativni akciji Spanje, ki jo bom podrobno analizirala, tako vzpostavljam dvoumen pogled na človeka. Sprašujem se o vlogi umetnika in gledalca na način, da svoje vsakdanje življenje postavim v nenavadno situacijo, ki ni nujno opažena.
Language:
Slovenian
Keywords:
slikarstvo
,
performans
,
telo
,
zaznava
,
diplomska naloga
Work type:
Bachelor thesis/paper
Organization:
ALUO - Academy of Fine Arts and Design
Year:
2019
PID:
20.500.12556/RUL-108464
Publication date in RUL:
03.07.2019
Views:
2222
Downloads:
570
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Secondary language
Language:
English
Title:
Moment for its own sake
Abstract:
In the bachelor thesis, I research performativity through theoretical approach with performative action and the perception of the audience. Initially, I investigated models which produce perception and their reception and interpretation in relation to the artist and the public. In performative actions, I tracked the routine of everyday life inside the unusual situations and gave focus on the relationship of the situation in the space. Through performance action, I was questioning the behavior and response of others in unexpected situations. In my works, I deal with the perception of the main actor in a given environment. With the body and its manipulation, I pass subtly as an actor in the perception of the viewer. There is no difference between everyday and epic, so I do not wait for an explanation or meaning. I rely on the reaction of others. I will analyze performative action Sleep where I create an ambiguous view on the artist role and the role of the society with putting an ordinary situation in my everyday life in an unusual situation.
Keywords:
painting
,
performance
,
body
,
perception
,
BA thesis
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