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Vprašanje identitete v izbranih dramah Matjaža Zupančiča
ID Špringer, Katarina (Author), ID Pezdirc Bartol, Mateja (Mentor) More about this mentor... This link opens in a new window

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Abstract
V diplomskem delu sem analizirala tri dramska dela Matjaža Zupančiča, in sicer Razred, Shocking shopping ter Reklame, seks in požrtija. Skozi besedila se odpirajo in medsebojno prepletajo različna aktualna vprašanja, kot so vprašanja vseh vrst nasilja, izpraznjenih medsebojnih odnosov, vloge mehanizmov družbenega nadzora. Problematika, ki je v dramah najbolj izpostavljena in ki se me je pri prebiranju najbolj dotaknila, je povezana s temo posameznikove identitete. Zaradi tega sem se odločila, da se pri analizi omenjenih besedil podrobneje posvetim vrsti tematskih vprašanj, ki se dotikajo identitete dramskih oseb. Slednje zaradi raznolikih razlogov izgubljajo stik same s seboj ter svoje fizične in psihične lastnosti prilagajajo družbenim zahtevam. Spreminjanje osebnosti se je v dramah prikazalo kot posledica več dejavnikov. Po eni strani je pri dramskih likih prihajalo zgolj do prikrivanja resnične identitete, medtem ko so nekatere osebe povsem zavestno pristale na odvzem in spremembo lastne osebnosti.

Language:Slovenian
Keywords:Matjaž Zupančič, identiteta, korporativna drama, slovenska dramatika
Work type:Bachelor thesis/paper
Organization:FF - Faculty of Arts
Year:2019
PID:20.500.12556/RUL-108447 This link opens in a new window
Publication date in RUL:03.07.2019
Views:1226
Downloads:323
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Secondary language

Language:English
Title:The issue of identity in selected Matjaž Zupančič’s dramas
Abstract:
In my diploma work I have analysed three Matjaž Župančič’s works, namely The Class, Shocking shopping and Reklame, seks in požrtija. Through the text various issues, such as those of all kinds of violence, empty relationships and the role of social control mechanisms are opened and intertwined. The issue which is most exposed and to which I felt closely connected to while reading the texts, is the question of an individual’s identity. For that reason I have decided to focus on the topical questions connected with the characters’ identity. These characters lose connection with themselves for various reasons and adapt their physical and psychical traits to social demands. The personality change shown in the dramas occurs due to several factors. On the one hand there is just hiding of true identity, while other characters consciously consent to losing and changing their own personality.

Keywords:Matjaž Zupančič, identity, corporate drama, Slovene drama

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