Oblikovanje eksplicitnih interakcij s senzorji v ne-interaktivnih okoljih

Mlakar, Sara (author), Kenda, Boštjan Botas (mentor)

Na kratko bom predstavila zgodovino oblikovanja interakcij z začetkom v uporabniški izkušnji in nadaljevanjem v intuitivni interakciji. Bolj podrobno pa bom predstavila idejo oziroma teorijo uporabnosti (affordances). V nadaljevanju bom analizirala različne primere interaktivnih plakatov, ene interaktivne knjige in ene interaktivne instalacije. Pri tem se bom osredotočila predvsem na to, kako je bila interakcija oblikovana in skomunicirana javnosti. V tretjem delu bom razložila, zakaj je intuitivna interakcija sploh pomembna, in se še bolj poglobila v analiziranje interakcij. Najprej bom predstavila kvantitativno raziskovalno metodo in v nadaljevanju merjenje učinkovitosti interaktivnih umetniških del. Sledi praktični del naloge, v katerem bom obravnavala svoja interaktivna plakata XMe. Opisala bom vsebinska izhodišča, izgled in postavitev končnega izdelka ter elektroniko. Predstavila bom tudi vse razstave s tema plakatoma in ugotovitve. Nalogo bom sklenila z analizo videoposnetkov, na podlagi katere bom pripravila izsledke in navedla možnosti za morebitno nadgradnjo.

• Language: Slovenian
• Keywords: vizualne komunikacije, oblikovanje interakcij, analiza interakcij, uporabnosti, plakat, elektronika, senzor, zvok, magistrska naloga
• Work type: Master's thesis/paper
• Organization: ALUO - Academy of Fine Arts and Design
• Year: 2019
• PID: 20.500.12556/RUL-108092
• Publication date in RUL: 15.06.2019

Secondary language

• Language: English
• Title: Designing explicit sensor based interactions in non-interactive context

Abstract

I will briefly present the history of interaction design, beginning with user experience design and continuing to intuitive interaction. Followed by the idea or theory of affordances, that will be presented in more detail. I will then research various practical examples of interactive posters, one interactive book and an interactive installation. This will mostly be concentrated on how the interaction was designed and communicated to the public. In the third part, I will explain why intuitive interaction is important and dive deeper into the analysis of interactions. This will include an overview of the quantitative research method, and other methods to measure the effectiveness of interactive arts. This will be followed by the practical part of the thesis - XMe interactive posters. I will describe the background inspiration, design and layout of the final product, and electronics. I will also present all past exhibitions and the findings I gathered there. The final part will be a video analysis from which I will prepare the possibilities for a potential upgrade.

• Keywords: visual communications, designing interactions, analysis of interactions, affordances, poster, electronics, sensors, audio, MA thesis