Vpliv digitalnih medijev na ustvarjalni proces v likovni umetnosti

Golob, Urška (author), Berlot Pompe, Uršula (mentor), Kordeš, Urban (comentor)

Doktorska naloga predstavlja interdisciplinarno raziskavo, ki združuje področje likovne umetnosti, digitalne tehnologije in fenomenologije. Raziskava je potekala v obliki multiple študije primera, v kateri je bilo opazovanih šest slovenskih likovnih umetnikov mlajše generacije. Predvsem sem opazovala njihovo doživljanje ob dvodimenzionalnem ustvarjanju, kjer me je zanimala izkustvena vloga digitalnega medija v primerjavi z analognim. Raziskovalno vprašanje, ki je usmerjalo raziskovanje, je bilo: Kako umetniki doživljajo interakcijo z digitalnim medijem (v primerjavi z analognim) oziroma kakšno izkustveno vlogo ima digitalni medij v likovnem ustvarjanju? Pri odkrivanju razlik me je zanimalo, kako nastanejo spremembe v doživljanju interakcije med digitalnim in analognim ustvarjanjem. To vprašanje je bilo vezano na drugi sklop raziskovanja, pri katerem je šlo za združitev doživljanja z likovno analizo ustvarjanja. Za raziskovanje doživljanja sem uporabila eksperimentalni pristop raziskovanja ‒ večplastno metodologijo, ki se ujema z novimi posthumanističnimi pristopi pri kvalitativnem raziskovanju. Ta je bila sestavljena iz kvalitativnega fenomenološkega načina raziskovanja in likovne analize. Za pridobivanje podatkov je bil posebej za te namene razvit prototip aplikacije, ki je bila nameščena na pametne naprave. Rezultati raziskave so pokazali spremembe na ravni doživljanja agentnosti in z njo povezanih procesov; nadzora, medijske ugodnosti, zavedanja telesa, prisotnosti in (semantične) uporabe jezika. Vzporedno opazovanje dinamike doživljanja in procesa ustvarjanja je prineslo celovitejši vpogled v (sodobno slovensko) likovno prakso, ki reflektira razmere časa in hkrati tudi predstavlja nove načine, kako raziskovati ta kompleksni proces ustvarjanja. V sklepnem delu raziskave ponujam tudi predloge in nove strategije za nadaljnje opazovanje in razvoj umetniške prakse.

• Language: Slovenian
• Keywords: fenomenologija, likovno ustvarjanje, kvalitativno raziskovanje, digitalni mediji, študija primera.
• Work type: Doctoral dissertation
• Organization: NTF - Faculty of Natural Sciences and Engineering
• Year: 2018
• PID: 20.500.12556/RUL-106839
• Publication date in RUL: 19.03.2019

GOLOB, Urška, 2018, Vpliv digitalnih medijev na ustvarjalni proces v likovni umetnosti [online]. Doctoral dissertation. [Accessed 11 April 2025]. Retrieved from: https://repozitorij.uni-lj.si/IzpisGradiva.php?lang=eng&id=106839

Secondary language

• Language: English
• Title: The influence of digital media on creative process in fine arts

Abstract

The thesis presents an interdisciplinary research that combines the field of fine arts, digital technology, and phenomenology. The research was a multiple case study that investigated the experiential and artistic processes of six Slovenian artists of younger generation. In the foreground, I investigated their experiential dynamics within two-dimensional creation, where I was interested in the eminent role of the digital media in comparison with analog media. The research question that guided the investigation was: How do artists experience interaction with digital media (compared to analog)? What is the experiential role of digital media in artistic creation? In the process of detecting differences, I was interested in the points of experiential shifts, which was more thoroughly observed in the second investigation phase, where I combined experiential process with the artistic analysis. For the purpose of investigation, I used an experimental approach - a multi-layered methodology that matches new post-humanistic approaches within qualitative research. This consisted of a qualitative phenomenological method of research and artistic analysis. Gathering data was supported with the development of an application prototype, which was installed on the smart devices that artist used during the research. The results of the survey highlighted changes on the different level of experience in the agency and its related constituents; control, media benefits, awareness of the body, the presence and (semantic) use of the language. Parallel observation of the dynamics of the experience and the process of creation has brought a more comprehensive insight into (contemporary Slovenian) fine art practice and at the same time presents new ways of exploring the complex creative process. In conclusion, I offer suggestions and new strategies for further observation and development of artistic practices.

• Keywords: Phenomenology, painting, qualitative research, digital media, case study.