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Uporaba hrane v sodobni umetnosti in pri predmetu likovna umetnost : magistrsko delo
ID Koželj, Urša (Author), ID Tomšič Amon, Bea (Mentor) More about this mentor... This link opens in a new window

URLURL - Presentation file, Visit http://pefprints.pef.uni-lj.si/5431/ This link opens in a new window

Abstract
Bi podprli slikanje z barvo, pridobljeno iz hrane z mislijo, da je prednost, če so barve naravne, neškodljive in omogočajo aktivacijo vseh čutov ali bi izrazili nestrinjanje ob misli na lakoto, s katero se spopada vsak deveti človek? V magistrskem delu raziskujem mnenja različnih profilov ljudi, ki se srečujejo z likovnim ustvarjanjem, glede spornosti uporabe hrane v namen likovnega izražanja. Vključila sem pregled likovnih del sodobnih slovenskih in tujih avtorjev, ki uporabljajo hrano kot pripomoček ali kot likovno tehniko ter raziskala njihovo razmišljanje in namen vključevanja hrane v svoje umetniško izražanje. Orisala sem problematiko zavržene hrane, kako se z njo spopadajo slovenske osnovne šole in na drugi strani multisenzoričnost, ki jo nudi tovrstno ustvarjanje.

Language:Slovenian
Keywords:umetnost s hrano, uporaba hrane pri pouku, umetnost zavržene hrane
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:PEF - Faculty of Education
Publisher:[U. Koželj]
Year:2018
Number of pages:91 f.
PID:20.500.12556/RUL-105024 This link opens in a new window
UDC:7(043.2)
COBISS.SI-ID:12187977 This link opens in a new window
Publication date in RUL:10.12.2018
Views:990
Downloads:102
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Secondary language

Language:English
Title:Food use in contemporary art and in fine art education
Abstract:
Would you support painting with a colour, obtained from food, with the idea that the colours are natural, harmless and they allow the activation of all senses or would you express disagreement because of the worldwide hunger? In the master thesis, I explore the opinions of various profiles of people who are experiencing artistic creativity, regarding the controversial use of food for the purpose of artistic expression. I included an overview of the works of contemporary Slovene and foreign authors using food as a tool or as a fine art technique and studied their thinking and the purpose of integrating food into their artistic expression. I outlined the problem of discarded food, how the Slovenian primary schools are tackling it and, on the other hand, the multisensory nature offered by this kind of creation.

Keywords:art, food, umetnost, hrana

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