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Voajerizem in odnos do telesa v tekstu in na odru v Fabrovih delih Etant donnés in Kri sem : diplomsko delo
ID Zupan, Ana (Author), ID Troha, Gašper (Mentor) More about this mentor... This link opens in a new window

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Abstract
V diplomski nalogi ugotavljam, da so Fabrovi teksti predloga za kasnejšo uprizoritev. Uprizoritev tekstu Kri sem da pomen, medtem ko je interpretacija teksta in uprizoritve Etant donnés enaka. Fabre poskuša skozi telesnost in seksualnost, detabuizacijo telesa in brisanje omejitev, ki jih postavljata družba in tradicija, priklicati nazaj 'celovitost' človeka, ki jo je ta imel v predojdipovskem stanju v otroštvu. Gledalca zato postavi v položaj voajerja, na koncu pa ne pride do katarze, ampak do praznine; gledalec odkrije, da tega stanja ne more doseči.

Language:Slovenian
Keywords:belgijsko gledališče, dramsko besedilo, performans, voajerizem, diplomsko delo
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FF - Faculty of Arts
Place of publishing:Ljubljana
Publisher:[A. Zupan]
Year:2017
Number of pages:32 f.
PID:20.500.12556/RUL-104577 This link opens in a new window
UDC:792.01Fabre J.
COBISS.SI-ID:65048418 This link opens in a new window
Publication date in RUL:08.10.2018
Views:1096
Downloads:217
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Secondary language

Language:English
Abstract:
In my thesis, I have concluded that Fabre's texts are a source material for later staging. Staging adds meaning to text I am Blood, but interpretation of staging and text Etant donnés stays the same. Through the body and sexuality, breaking taboos of a body, which are posed by society and tradition, Fabre tries to recall the unity of a human that he had in the pre-oedipal stage in childhood. Therefore, a spectator is put in a position of a voyeur. In the end, there is no catharsis but a gap; the spectator finds out that this situation cannot be achieved.


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