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Kompozicija realnega in irealnega v filmu / Vdih, od začetka (kratki igrani film)
ID Kranjec, Andreja (Author), ID Černelč, Robert (Mentor) More about this mentor... This link opens in a new window, ID Muhovič, Jožef (Mentor) More about this mentor... This link opens in a new window

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Abstract
V magistrskem delu se ukvarjam z realnostjo in irealnostjo v filmu. Raziskujem, kaj določa realnost in kako je konstruirana v filmu. Pojasnim, kako se je v film vpeljala irealnost in kako se dopolnjuje s filmsko realnostjo. Dotaknem se pomena reprezentacije v filmu in moči njenega vpliva na gledalca. Glasba je pomemben del filma, zato razčlenim njeno vlogo realnega in irealnega elementa v filmu. Praktični del magistrskega dela je kratek film z naslovom Vdih, od začetka, ki predstavlja zgodbo skladateljice, ki se bori s strahom pred neuspehom in problematičnimi odnosi. Predstavim namen in cilj projekta ter potek ustvarjanja.

Language:Slovenian
Keywords:slikarstvo, kompozicija realnega in irealnega v filmu, reprezentacija realnosti, glasba v filmu, realnost in irealnost, Montaža, Skladateljica, kratki igrani film, magistrska naloga
Work type:Master's thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2018
PID:20.500.12556/RUL-103430 This link opens in a new window
Publication date in RUL:18.09.2018
Views:950
Downloads:308
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Secondary language

Language:English
Title:Composition of real and unreal in film / Breathe, from the beginning (short film)
Abstract:
In MA thesis I am researching reality and non-reality in film. I am exploring what defines reality and how it is constructed in film. I explain how non-reality became a part of the film and how is it complementing reality in film. I touch the meaning of representation in film and its power of influencing the viewer. Music is important part of the film, so I list its role as an element of reality and non-reality in film. Practical part of the MA thesis in short film titled Breathe, from the beginning, which presents the story of a young woman composer, who suffers from fear of failure and troubled relationship.

Keywords:painting, composition of real and unreal in film, representation of reality, music in film, reality and non-reality, editing, female composer, short fiction film, MA thesis

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