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Imitacija brokata: konserviranje in restavriranje primera iz Narodne galerije Slovenije
ID Sartori, Erica (Author), ID Makuc Semion, Miladi (Mentor) More about this mentor... This link opens in a new window, ID Vuga, Martina (Co-mentor)

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Abstract
Imitacija brokata (nem. Pressbrokat) je dekorativna tehnika lesenih (in redkeje kamnitih) površin, katere cilj je iluzionistično posnemanje reliefnosti dragocenih svilenih tkanin s pomočjo detajlenega kositrnega reliefa, ki je bil izoblikovan v kalupu in nato prilepljen na nosilec. Odkritje primera imitacije brokata na Relikviariju iz Narodne galerije, datiranega okvirno v začetek 16. stoletja, je bilo v spodbudo za raziskavo njene zgodovine in tehnologije. Raziskave so bile vodilo za konservatorsko-restavratorski poseg na umetnini, ki je bil načeloma omejen na utrjevanje fragmentov reliefa na nosilec. Zaradi boljše berljivosti vzorca po utrjevanju je bilo mogoče izvesti temeljito analizo njegovih morfoloških značilnosti ter ga primerjati z drugimi ohranjenimi pressbrokati iz območja današnje Furlanije. Primerjave so bile v pomoč za grafično rekonstrukcijo vzorca in so nudile zanimiv vpogled v splet stikov med koroškimi in furlanskimi rezbarskimi delavnicami 16. stoletja.

Language:Slovenian
Keywords:Konservatorstvo-restavratorstvo, gotska polikromirana plastika, imitacija brokata, zgodovina dekorativnih tehnik, likovna tehnologija, relikviarij, restavriranje, diplomska naloga
Work type:Bachelor thesis/paper
Organization:ALUO - Academy of Fine Arts and Design
Year:2018
PID:20.500.12556/RUL-103406 This link opens in a new window
Publication date in RUL:16.09.2018
Views:1443
Downloads:501
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Secondary language

Language:English
Title:Applied brocade: conservation and restoration of an example from the National gallery Slovenije
Abstract:
Applied brocade (ger. Pressbrokat) is a decorative technique of wooden (and sometimes stone) surfaces which aims to imitate the typical relief of precious silk textiles. The effect is achieved by shaping a sheet of tin in a mould, filling it with a putty and then gluing it to the support. The discovery of an example of applied brocade on a Reliquary from the National gallery of Slovenia, dated around the beginning of the 16th century, was the motivating force behind a more in-depth research of the history and technology of the technique. This research laid the theoretical groundwork for the later intervention on the relief, which was mostly limited to re-gluing the loose fragments on the support. The consolidation allowed an easier reading of the motif and a more detailed analysis of its morphological aspects; it also made possible to compare it with other preserved examples of applied brocade, mostly from artworks originating in Furlania. The similarities between these works and the Reliquary eased the graphic reconstruction of the motif, and offered an interesting insight into the connections between Friulian and Carinthian workshops of the early 16th century.

Keywords:Conservation-restoration, gothic polychrome sculpture, applied brocade, hostory of decorative techniques, art technology, reliquary, restoration, BA thesis

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