Konserviranje in restavriranje slike Andraža Šalamuna iz zbirke Moderne galerije v Ljubljani

Koren, Klavdija (avtor), Trček Pečak, Tamara (mentor), Kralj Cigić, Irena (komentor)

Diplomsko delo zajema problematiko konserviranja-restavriranja slike Andraža Šalamuna Brez naslova 1980 iz zbirke Moderne galerije v Ljubljani ter opis izvedenega posega med decembrom 2016 in januarjem 2017. V prvem delu je poudarek na čiščenju nepodloženega in z lica vidnega platnenega nosilca. Predstavljena je juta kot slikarski nosilec, ključni dejavniki za razgradnjo, vpliv površinske umazanije in različne metode čiščenja nepodloženih nosilcev. Nato je predstavljen postopek čiščenja nosilca obravnavane slike. Le-to je potekalo s čopičem in sesalnikom, vzorci odstranjenega prahu so bili shranjeni. Po posegu so sledile naravoslovne raziskave, predstavljene so meritve mase vzorcev prahu in njihovih pH vrednosti, meritve debeline nitk ter ocena mase nosilca. V drugem delu je poudarek na utrjevanju barvne plasti. Predstavljeni so novi materiali v moderni in sodobni umetniški praksi. Izdelava tehnološke študije temelji na podlagi raziskovanja slikarjeve tehnologije in je v nadaljevanju služila za preizkus različnih lepil. S pomočjo izdelanih vzorcev je bilo za utrjevanje barvne plasti izbrano injiciranje akrilne disperzije. Opisan je postopek utrjevanja. Predstavitvi dokumentacije sledijo rezultati naravoslovnih analiz in ocena mase barvne plasti glede na maso slike. V zaključku je lastna evalvacija opravljenega dela s sežetimi spoznanji o povezavi med dejavniki razgradnje in stanjem posameznih plasti slike.

• Jezik: Slovenski jezik
• Ključne besede: konservatorstvo-restavratorstvo moderna slika Andraž Šalamun tehnologija nepodložen platneni nosilec utrjevanje diplomska naloga
• Vrsta gradiva: Diplomsko delo/naloga
• Organizacija: ALUO - Akademija za likovno umetnost in oblikovanje
• Leto izida: 2018
• PID: 20.500.12556/RUL-103404
• Datum objave v RUL: 16.09.2018

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Conservation and restoration of Andraž Šalamun's painting from the collection of the Museum of Modern Art Ljubljana

Izvleček

This bachelor's thesis covers the problematic of conserving-restoring the painting of Andraž Šalamun Brez naslova 1980 from the collection of the Museum of Modern Art Ljubljana (Moderna galerija v Ljubljani) and a description of the process during December 2016 and January 2017. The first part emphasizes the cleaning of unprimed and visible textile support. Presented are: jute, as a painting support, key factors in the deterioration process, the effect of surface dirt and the different methods of cleaning unprimed support. The process of cleaning the support of the painting is presented next. This was done with a brush and vacuum cleaner, the samples of extracted dust were stored. After the procedure, research was done on the painting. Presented are the measurements of the samples’ mass and pH value, the measure of the threads’ width and the assessment of the supports’mass. The second part highlights the consolidation of the paint layer. Presented are the new materials in modern and contemporary art practice. The making of the technological study, which has been divided into several samples, is based on the basis of researching the painter’s technology and has served for the testing of different glues. With the help of the samples, the injection of acrylic dispersion was chosen. The process of the consolidation is described. After the documentation, the results of the analyses and the assessment of the paint layer’s mass based on the weighing of the painting are presented. The conclusion includes a personal evaluation of the work done with incorporated apprehensions about the connection between the factors of the deterioration and the status of the individual layers of the painting.

• Ključne besede: conservation-restoration modern painting Andraž Šalamun technology unprimed canvas consolidation BA thesis