Barvitost površin – raziskava glazur v keramiki

Mazej, Maruša (avtor), Čadež Lapajne, Dragica (mentor)

V svojem diplomskem delu se bom ukvarjala z raziskovanjem glazur, ki so tesno povezane tako z uporabnimi, kot tudi vizualnimi karakteristikami keramike. Najprej bom na kratko predstavila pomembnejše mejnike razvoja glazur skozi zgodovino, nato bom opredelila nekatere osnovne materiale, ki so potrebni za njihov nastanek. V izvedbenem delu se bom ukvarjala s postopkom priprave glazur. Izbrala bom recepte, ki jih bom uporabila v praksi, nekatere si bom zamislila sama. Preizkusila bom različne načine nanašanja glazur na keramično površino. Sledil bo postopek žganja. Izbor barv glazur bo temeljili na barvah, ki se prepletajo v reki Soči. Najpogosteje so to turkizni, smaragdni, zeleni in modri odtenki, po močnem deževju pa tudi rjavi in sivi. Moje diplomsko delo bo tako poleg tehnološkega raziskovanja glazur močno povezano tudi z raziskovanjem barv. Barvni vtis je duševno doživetje kar pomeni, da so ocene barv, ki jih vidimo, zelo subjektivne. Za doseganje občutka barvitosti je bolj kot število barv pomembno vzpostavljanje inovativnih odnosov med njimi. Kadar so barve namenoma izbrane tako, da porušijo naravno ravnotežje, nastane umetniška harmonija. S spremembo naravnih odnosov se med barvami ustvari optična napetost, barve pa dobijo ekspresivno moč.

• Jezik: Slovenski jezik
• Ključne besede: unikatno oblikovanje glazura barva glazurna napaka žganje sestavina diplomska naloga
• Vrsta gradiva: Diplomsko delo/naloga
• Organizacija: ALUO - Akademija za likovno umetnost in oblikovanje
• Leto izida: 2018
• PID: 20.500.12556/RUL-101763
• Datum objave v RUL: 04.07.2018

Sekundarni jezik

• Jezik: Angleški jezik
• Naslov: Colourfulness of surfaces – a research of glazes in ceramics

Izvleček

In my BA thesis I will be researching the technology and nature of glazes. Glazes are strongly connected with the visual characteristics of ceramics but also with its usability. In the theoretical part of my thesis I will begin with writing about the history of glazes, then I will continue with defining some of the elementary ingredients that compose it. In the practical part I will mix glazes with recipes from the ceramics book, but I will also mix some of them on my own. I will use different methods of glaze application onto ceramics surface. Later on I will present the key temperatures during the firing. The selection of glaze colours will be based on colours that can be seen in the river Soča. Most of the time these are the shades of turquoise, green and blue, but also brown and grey, especially after the rain. Seeing a colour is actually a mental process. Their evaluation is often very subjective and connected with current circumstances. To achieve a feeling of colourfulness it is more important to establish innovative relations between colours than using a huge amount of them. Artistic colour harmony is made when the colours are intentionally chosen in an order to destroy the natural balance between them. This leads to a certain optical tension.

• Ključne besede: applied arts glaze colour glaze defect firing raw material BA thesis