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Skladatelji in občinstva med visoko in popularno kulturo : k teoriji in zgodovini družbene recepcije opere
Kotnik, Vlado (Author)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:DOC-WMJGLKM8 This link opens in a new window

Abstract
Članek predstavlja refleksiven pregled nekaterih primerov družbene recepcije opere. Pri tem so izpostavljeni štirje modeli družbene recepcije opere: 1) Mozart, hibridizem in divergentna kultura; 2) Wagner, avantgardizem in visoka kultura; 3) Meyeerber, komercializem in popularna kultura; 4) Verdi, belkantizem in ljudska kultura.

Language:Slovenian
Keywords:opera, družbena recepcija, občinstvo, visoka kultura, popularna kultura, ljudska kultura
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:2012
Publisher:Znanstvena založba Filozofske fakultete
Number of pages:str. 129-164
Numbering:Zv. 48, [št.] 1
UDC:782:316.72
ISSN on article:0580-373X
COBISS.SI-ID:49293154 Link is opened in a new window
Views:456
Downloads:138
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Record is a part of a journal

Title:Muzikološki zbornik
Shortened title:Muzik. zb.
Publisher:Znanstvena založba Filozofske fakultete
ISSN:0580-373X
COBISS.SI-ID:16404226 This link opens in a new window

Secondary language

Language:English
Title:Composers and audiences between high and popular culture
Abstract:
The article is based on a pondered outline of examples of the social reception of opera. Four models of the social reception of opera are exemplified: 1) Mozart, hybridism and divergent culture; 2) Wagner, avantgardism and high culture; 3) Meyerbeer, commercialism and popular culture; 4) Verdi, belcantism and peopleʼs culture.

Keywords:audience, high culture, popular culture, people's culture

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