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"The slow pale chaos drift west" : depth of field and The Crossing into the "pure past" of the American South
Temiz, Ayşe D. (Author)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:doc-IXSOXGRU New window

Abstract
V analizi fragmentacije narativnega časa v povojni kinematografiji se Deleuze navezuje na koncepta virtualnega časa pri Bergsonu in Leibnizu: "čisto preteklost" in "nesomožne svetove". To razmišljanje raziskujem preko navezave na Leibnitzovo perceptivno shemo v monadah, ki ne zajema zunanjih objektov, temveč se v naporu, da bi razločila odnose, ki konstituirajo svet-spomin, osredinja zgolj nase. Zadnji del eseja izvaja zaključke monadske percepcije za post-apokaliptični svet dela Cormaca McCarthyja Border Trilogy, ki sooča tavajoče osirotele posameznike z nezmožnostjo samo-orientacije.

Language:English
Keywords:literature and film, narratology, narrative time, virtual time, past, incompossible worlds, monad, American literature
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:2014
Publisher:Slovensko društvo za primerjalno književnost
Number of pages:str. 73-91, [243]
Numbering:Letn. 37, št. 2
UDC:82.0-3:791.31
ISSN on article:0351-1189
COBISS.SI-ID:55120226 Link is opened in a new window
Views:215
Downloads:138
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Record is a part of a proceedings

Title:Literatura in gibljive slike
COBISS.SI-ID:55117154 New window

Record is a part of a journal

Title:Primerjalna književnost
Shortened title:Primer. književ.
Publisher:Slovensko društvo za primerjalno književnost
ISSN:0351-1189
COBISS.SI-ID:8744704 New window

Secondary language

Language:Slovenian
Abstract:
In his analysis of the fragmentation of narrative time in postwar cinema, Deleuze relies on the concepts of virtual time in Bergson and Leibniz: the "pure past" and "incompossible worlds." I explore this line of thought in conjunction with Leibniz's schema of perception in "monads," which involves no outside object but focuses instead on the self in an endeavor to discern the relations that constitute world-memory. The final part of the essay draws the implications of monadic perception for the "post-apocalyptic" world of Cormac McCarthy's Border Trilogy, which confronts the vagrant orphan characters with an impossibility of self-orientation.

Keywords:literatura in film, naratologija, pripovedni čas, virtualni čas, preteklost, nesomožni svetovi, monada, ameriška književnost

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