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Vprašanje avtonomnosti glasbene kritike v slovenskem dnevnem časopisju ob praizvedbi kantate Stara pravda Matije Tomca : med estetsko sodbo in političnim konstruktom
Weiss, Jernej (Author)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:DOC-B6EO6HVJ This link opens in a new window

Abstract
Akademski pevski zbor Tone Tomšič je sklenil 10-letnico svojega delovanja leta1956 obeležiti z jubilejnim koncertom. Za počastitev omenjenega dogodka jeskladatelj Matija Tomc uglasbil kantato Stara Pravda, ki je bila praizvedena12. marca 1956 v veliki Unionski dvorani. Izvedba je naletela na ostre odzive ortodoksnih marksističnih ideologov, ki so, zdi se, vodstvu zborazamerili predvsem, da je po koncertu počastilo skladateljski prispevek katoliškega intelektualca Matije Tomca. Vodilni partijski ideologi so zaradi neljubega dogodka pritisnili na zbor tako močno, da je le ta izgubil dirigentain tako skorajda razpadel v začetni, desetletje trajajoči povojni formaciji.

Language:Slovenian
Keywords:slovenska glasba, glasbena kritika, Akademski pevski zbor Tone Tomšič, Stara pravda
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:2007
Publisher:Muzikološki inštitut, Znanstvenoraziskovalni center SAZU
Number of pages:Str. 101-115
Numbering:Letn. 3, št. 1
UDC:78.072(497.4)
ISSN on article:1854-3405
COBISS.SI-ID:34990178 Link is opened in a new window
Views:310
Downloads:106
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Record is a part of a journal

Title:De musica disserenda
Publisher:Muzikološki inštitut ZRC SAZU
ISSN:1854-3405
COBISS.SI-ID:222620160 This link opens in a new window

Secondary language

Language:English
Title:The question of autonomy of musical review in Slovene daily newspapers on the first performance of the cantata Stara pravda by Matija Tomc
Abstract:
The Tone Tomšič Academic Choir decided to celebrate the tenth anniversary of its work with a jubilee concert. To celebrate the above-mentioned event, the composer, Matija Tomc, composed the cantata Stara Pravda (Old Justice), first performed on 12 March 1956 in the large Union Hall. The performance met with sharp reactions on the part of orthodox Marxist ideologists, who after the concert seemed to have especially resented the decision of the choir's management to honour the contribution of the composer, the Catholic intellectual, Matija Tomc. The leading party ideologists put such strong pressure on the choir that it lost its conductor and thus nearly dissolved in its formative, ten-year post-war phase.

Keywords:Slovenian music, Music review, The Tone Tomšič Academic Choir, Old justice

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