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Grafična simbolizacija primarnih emocij
ID Kovačev, Asja Nina (Author), ID Musek, Janek (Author)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:DOC-0EG5E7G9 This link opens in a new window

Abstract
Raziskava ugotavlja značilnosti grafične simbolizacije emocij. Subjekti so morali z avtosugestijo podoživeti štiri glavne emocije, ter jih abstraktno narisati s flumastri s pomočjo barve, črte in pike. Ugotovili smo, da je simbolizacija emocij konceptualno pogojena in in njihovo doživljanje nima odločilnega pomena. Kljub zaporednemu risanju emocij ni prišlo do interferenc med njimi. Hipotezo neodvisnosti uporabe različnih likovnih elementov od emocij smo testirali s Chi2-testom. Barve pomebneje diferencirajo med različnimi emocijami. Za vsako od štirih temeljnih emocij smo identificirali temeljne značilnosti njene simbolizacije. Na risbah obstaja precej podobnosti v uporabi likovnih elementov, strukturalnih značilnosti celote in shematskem prikazu dane emocije.

Language:Slovenian
Keywords:psihologija osebnosti, čustva, likovno izražanje, simbolizacija
Work type:Not categorized
Typology:1.01 - Original Scientific Article
Organization:FDV - Faculty of Social Sciences
Publisher:Društvo psihologov Slovenije
Year:1993
Number of pages:Str. 31-50
Numbering:Vol. 2, št. 3/4
PID:20.500.12556/RUL-66232 This link opens in a new window
UDC:159.942
ISSN on article:1318-1874
COBISS.SI-ID:334941 This link opens in a new window
Publication date in RUL:10.07.2015
Views:1184
Downloads:159
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Record is a part of a journal

Title:Psihološka obzorja
Publisher:Društvo psihologov Slovenije
ISSN:1318-1874
COBISS.SI-ID:3084808 This link opens in a new window

Secondary language

Language:Unknown
Abstract:
The aim of the present study was to ascertain the caracteristics of the graphic symbolization of emotions. With the help of autosuggestion the subjecthad to experience four primary emotions (joy, sorrow, anger, and fear) and draw them abstractly with fibrepen. Their means of expression were: colour, line, and dot. Drawing were analysed on the basis of a list of plasticelements and some characteristics of the whole. The list was prepared in advance. It was discovered that the symbolization of emotions is above all determined conceptually and that their experiencing is not of a crucial importance. In spite of the successive drawing of the four primary emotions there were no interferences among them. The hypothesis of the independence of the use of different plastic elements of emotions was tested with the chi2-test. It was found out, that colours differentiate between emotions more significantly than lines. The symbolization's basic characteristics of each ofthe four primary emotions were identified. The drawing of different subjectsnamely manifest a lot of similarities in the use of plastic elements, the structural characteristics of the whole and the schematic representation of a given emotion.


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