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Prešeren, historizem in argumentacija
Sajovic, Tomaž (Author)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:doc-GJ2NVZJ2 This link opens in a new window

Abstract
Izhodišče razprave predstavljajo nekatere pomembne značilnosti soneta: oblikovna in vsebinska dvodelnost, argumentacija oziroma utemeljevanje pesnikovega spoznanja in oživitev sonetne oblike ob koncu 18. in v 19. stoletju - obdobju , ki ga je zaznamoval duhovni in umetnostni pojav historizma. Razprava skuša na zgledih iz slovenske pripovedne proze v drugi polovici 19. stoletja, Prešernovih sonetov in na podlagi umetnostnozgodovinskih spoznanj z jezikoslovnimi metodami dokazati, da so v historizmu vse tri značilnosti med seboj povezane in da se ta zmes začne razkrajati šele s predhodništvom moderne (Kersnik, Tavčar) in s samo moderno.

Language:Slovenian
Keywords:slovenska književnost, slovenska poezija, slovenska proza, realizem, moderna, historizem, argumentacija, soneti, 19. st.
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:1997
Publisher:Slavistično društvo Slovenije
Number of pages:str. 229-236
Numbering:Letn. 42, št. 6
UDC:821.163.6.081:811.163.6'42
ISSN on article:0021-6933
COBISS.SI-ID:3338594 Link is opened in a new window
Views:366
Downloads:81
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Record is a part of a journal

Title:Jezik in slovstvo
Shortened title:Jez. slovst.
Publisher:Slavistično društvo Slovenije
ISSN:0021-6933
COBISS.SI-ID:746756 This link opens in a new window

Secondary language

Language:English
Abstract:
The starting point of the article is some important characteristics of the sonnet: the bipartite structure of form and content, argumentation and justification of the poet's insight, and the revival of the sonnet in late 18th and 19th century - the period marked by historism as a spiritual and art phenomenon. Using exaples from the Slovene narrative prose of the second half of the 19th century, Prešeren's sonnets and premises of literary, history, linguistic methods of analysis are applied in an attempt to show that in historism the three features comes together and that the mixture begins to dissolve only in the pre-modernist (Kersnik, Tavčar) and modernist period.


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