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Ali - ali? Ideologija in estetska kakovost v književni kanonizaciji
Van Peer, Willie (Author), Zabukovec, Dušanka (Translator)

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Abstract
Razprava poseže v debate o literarnem kanonu. Izpostavljena je trditev, da so enostranski tako neomarksistični in poststrukturalistični pogledi na kanonizacijo literature kot rezultat konfliktov moči kot tudi stališča o estetski kvaliteti kot ključnem kriteriju. Z analizo Shakespearovega Romea in Julije ter sočasne obdelave zgodbe pri Artjurju Brokesu avtor razgrne presojo,kako je s potezami ideološkega in estetskega, in po njegovi izpeljavi odigrajo ideološke komponente v procesih kanonizacije drugačno vlogo, kot je trdila Barbara Herrnstein Smith (1988). Analizo dodatno podpre še s parametri računalniške analize obeh besedil.

Language:Slovenian
Keywords:literarna teorija, literarni kanon, literarno vrednotenje, literarna estetika, literatura in ideologija, angleška književnost, Shakespeare, William, Brooke, Arthur, literarne snovi - Romeo in Julija
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:1999
Publisher:Slovensko društvo za primerjalno književnost
Number of pages:str. 1-17
Numbering:Letn. 22, št. 1
UDC:82.09:316.75
ISSN on article:0351-1189
COBISS.SI-ID:9908834 Link is opened in a new window
Views:433
Downloads:112
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Record is a part of a journal

Title:Primerjalna književnost
Shortened title:Primer. književ.
Publisher:Slovensko društvo za primerjalno književnost
ISSN:0351-1189
COBISS.SI-ID:8744704 This link opens in a new window

Secondary language

Language:English
Abstract:
Either - or? Ideology and aesthetic quality in literary canonization. - Traditional explanations of literary canonization usually involve two concepts: power and beauty. To some, the canon is the result of power conflicts, resulting in a text selection that is largely dominated by ideological content. Rejecting this view as a political simplification that has little to do with the nature of literature, others invoke aesthetic quality as the main criterion for a text's inclusion in the canon. In this article I will argue that this opposition is itself a misconstruction - although the ideological component plays a dramatically different role from what has been assumed by (neo-)Marxist and poststructuralist scholars. I will illustrate my argument with an analysis of the content and form of Shakespeare's Romeo and Juliet, as compared with its near-contemporary The Tragical Historye of Romeus and Juliet by Arthur Brooke. This analysis first follows a more traditional model of textual analzsis, which is thean further corroborated by an independent computer analysis of the same texts.


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