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Struktura gledališča v gledališču
Orel, Barbara (Author)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:DOC-WX8XVTFV This link opens in a new window

Abstract
Struktura gledališča v gledališču oziroma igre v igri (z najbolj znanim primerom mišnice v Shakespearovem Hamletu) kontinuirano naseljuje dramska besedila že od renesanse naprej, teoretično pa je bila preučena šele po letu 1950. Ta študija odkriva razloge za terminološka neskladja, ki so jih prinesle temeljne raziskave Joachima Voigta, Ericha Proebsterja, Roberta J. Nelsona, Jörga H. Kokotta in Manfreda Schmelinga, in na osnovi semiotične opredelitve ponudi predloge za tipologizacijo pojava.

Language:Slovenian
Keywords:teatrologija, gledališče, dramaturgija, dramatika, metateater, igra v igri, gledališče v gledališču, terminologija
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:2001
Publisher:Slovensko društvo za primerjalno književnost
Number of pages:Str. 101-117
Numbering:Letn. 24, št. 1
UDC:792.02:001.4
ISSN on article:0351-1189
COBISS.SI-ID:16236130 Link is opened in a new window
Views:475
Downloads:135
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Record is a part of a journal

Title:Primerjalna književnost
Shortened title:Primer. književ.
Publisher:Društvo za primerjalno književnost SR Slovenije
ISSN:0351-1189
COBISS.SI-ID:8744704 This link opens in a new window

Secondary language

Language:English
Abstract:
Theatre within theatre. - The structure of theatre within theatre, or the play within a play (the most famous instance being the mousetrap in Shakespeare's Hamlet), has been part of drama since the Renaissance, although it was studied theoretically only after 1950. This study reveals the reasons for terminological discrepancies caused by the fundamental research by Joachim Voigt, Erich Proebster, Robert J. Nelson, Jörge H. Kokott and Manfred Schmeling, and on the basis of semiotica categorisation offers suggestions fora typology of this phenomenon.


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