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Avtobiografija, fikcija in roman: o možnostih žanra 'roman kot avtobiografija'
Koron, Alenka (Author)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:DOC-KMH7BSCT This link opens in a new window

Abstract
Kristalni čas Lojzeta Kovačiča (1990) in Zaznamovana Nedeljke Pirjevec (1992) sta žanrsko mešani deli, ki nadaljujeta izročilo eksistencialistično-modernističnih pripovednih vzorcev in avtobiografskega modernizma in odstopata od aktualnih postmodernističnih teženj v literaturi na začetku 90. let. Sprejeti sta bili kot romana, njuna sintetična žanrskost pa ustreza tudi nefikcijskemu žanru avtobiografije. Prispevek se zavzema za uvedbo žanrskega razreda 'roman kot avtobiografija', ki združuje besedili/a s podobnim prepletom fikcijskih in nefikcijskih značilnosti. Umestitev obeh besedil v novi žanrski razred, ki priznava uveljavljeno postmoderno prakso, da ni vsa literatura le fikcijska, skuša utemeljiti s pomočjo pragmatičnega modela za razločevanje fikcije in nefikcije.

Language:Slovenian
Keywords:slovenska književnost, literarni žanri, avtobiografija, avtobiografski roman, fikcija
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:2003
Publisher:Slovensko društvo za primerjalno književnost
Number of pages:str. 65-86
Numbering:Letn. 26, št. 2
UDC:821.163.6.09-312.6
ISSN on article:0351-1189
COBISS.SI-ID:23499618 Link is opened in a new window
Views:475
Downloads:108
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Record is a part of a journal

Title:Primerjalna književnost
Shortened title:Primer. književ.
Publisher:Slovensko društvo za primerjalno književnost
ISSN:0351-1189
COBISS.SI-ID:8744704 This link opens in a new window

Secondary language

Language:English
Title:o možnostih žanra 'roman kot avtobiografija'
Abstract:
Autobiography, fiction and novel: on the possibilities of a genre of the 'novel as autobiography'. Kristalni čas by Lojze Kovačič (1990) and Zaznamovana by Nedeljka Pirjevec (1992) are generically mixed writings which follow the tradition of the narrative patterns of existentialism and modernism and of modernist autobiography, and deviate from the typical postmodern trends in the literature of the early 1990s. They were accepted as novels, but their syntetic genericity also corresponds to the non-fictional genre of autobiography. The article argues for the introduction of a new generic class of the 'novel as autobiography', which would include writings with a similar combination of fictional and non-fictional features. It attempts to place both texts into the new generic class - which follows the established postmodern practice that not all literature is merely fictional. The application of pragmatic model for distinguishing between fiction and non-fiction also supports this inclusion.


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