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Svet dunajskih parkov pri Ivanu Cankarju in Ivu Vojnoviću
Simonek, Stefan (Author), Fišer, Darja (Translator)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:doc-Z6WY9XI0 This link opens in a new window

Abstract
Park in vrt je mogoče razumeti kot bistvena elementa dunajskega družbenega in estetskega urbanega besedila. Slovanski pisci iz srednje Evrope, ki so prišli na Dunaj študirat ali delat, so ga povsem različno interpretirali zaradi družbenih ozadij, iz katerih so izhajali; od skrajne revščine do blaginje. Z interpretacijami so poudarjali različne segmente urbanega besedila, medtem ko so drugim elementom posvečali manj pozornosti ali jih celo izpuščali. V prispevku se posvečamo različnosti dojemanja urbanega besedila ob motivu parka v "dunajski" prozi dveh predstavnikov literarne moderne v južnoslovanskem prostoru: slovenskega pisatelja Ivana Cankarja in hrvaškega pisatelja Iva Vojnovića.

Language:Slovenian
Keywords:slovenska književnost, hrvaška književnost, moderna, Dunaj, družabno življene, park, vrt
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:2004
Publisher:Slavistično društvo Slovenije
Number of pages:str. [81]-90
Numbering:Letn. 49, št. 6
UDC:821.163.6.09 Cankar
ISSN on article:0021-6933
COBISS.SI-ID:28021858 Link is opened in a new window
Views:367
Downloads:89
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Record is a part of a journal

Title:Jezik in slovstvo
Shortened title:Jez. slovst.
Publisher:Slavistično društvo Slovenije
ISSN:0021-6933
COBISS.SI-ID:746756 This link opens in a new window

Secondary language

Language:English
Abstract:
A park and a garden can be perceived as the two fundamental elements of the Viennese social and aesthetic urban text. Because of their social background, coming either from complete poverty or from a prosperous background, Slavonic writers from Central Europe who went to Vienna to study or work, assumed a completely different approach in their interpretations of these two elements. Their interpretations laid emphasis on the different segments of the urban text, while paying less attention to other elements, or even entirely omittingthem. The article focuses on the difference in perception of the urbantext based on the motif of park in the "Viennese" prose of two representatives of the modernist movement in the southern Slavonic area: the Slovene writer Ivan Cankar, and the Croatian writer Ivo Vojnović.


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