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Najnovejša slovenska dramatika med platnicami in odrom
Pezdirc Bartol, Mateja (Author)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:doc-A7IRVV7Z This link opens in a new window

Abstract
Sodobna slovenska dramatika se srečuje s svojevrstnim fenomenom: ima izjemno kvalitetno in razvejano gledališko dejavnost, medtem ko ke produkcija slovenskih dramskih besedil minimalna, knjižne objave redke, na odre pride v povprečju na sezono po eno slovensko delo na gledališko hišo, literarna veda kaže za sodobno dramatiko bisteveno manj zanimanja v primerjavi s poezijo in prozo, zato lahko upravičeno govorimo o t. i. krizi nacionalne dramatike na različnih nivojih njenega delovanja. V članku bomo skušali navesti nekaj ključnih razlogov za navedeno stanje: slovenska literatura po eni strani nima tradicije pisanja dramskih besedil, kakovostnih domačih besedil je malo, po drugi strani pa mnoge uveljavljene oblike sodobnega odrskega dogajanja nastajajo mimo besedil, množična komercialna gledališča pa segajo po mednarodnih uspešnicah. Za povečanje zanimanja tako piscev in gledališčnikov kot širše javnosti so bili ustanovljeni različni festivali, natečaji, nagrade, med katerimi je najodmevnejša Grumova nagrada.

Language:Slovenian
Keywords:slovenska književnsot, slovenska dramatika, slovenski pisatelji, slovenska gledališča, 1990-2004
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:2004
Publisher:Slavistično društvo Slovenije
Number of pages:str. [13]-21
Numbering:Letn. 49, št. 5
UDC:821.163.6.09-2"1990/2004"
ISSN on article:0021-6933
COBISS.SI-ID:27730786 Link is opened in a new window
Views:403
Downloads:130
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Record is a part of a journal

Title:Jezik in slovstvo
Shortened title:Jez. slovst.
Publisher:Slavistično društvo Slovenije
ISSN:0021-6933
COBISS.SI-ID:746756 This link opens in a new window

Secondary language

Language:English
Abstract:
Contemporary Slovene playwriting is met with a unique phenomenon: it has an extremely diverse theatre production of high quality, while the production of Slovene plays is minimal, their book publication are rare, approximately one Slovene text is taged per Slovene theatre on average, while literary studies have shown considerably less interest in contemporary Slovene playwriting compared to that in poetry and prose; therefore it is justified to speak of a so-called crisis in national playwriting on various levels. This aim of this article is to provide some key reasons for the current state of affairs: on the one hand, Slovene literature does not have a tradition of writing plays, there are few Slovene plays of good quality, while on the other hand, many forms of contemporary stage activities that have won recognition are created parallel to the text, and mass commercial theatres favour international hits. Several festivals, competitions, and awards have been created with the intention of increasing interest of both writers and theatre people, as well as the wider public, with the Grum award being met with the widest response.

Keywords:Slovene literature, Slovene playwriting, 1990-2004

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