izpis_h1_title_alt

Kosovel in moderna poezija: analiza podobja
Pavlič, Darja (Author), Jerin, Katarina (Translator)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:DOC-D0JN3K3H This link opens in a new window

Abstract
Razprava je zastavljena tako, da ob analizi motivnih sklopov, iz katerih je Kosovel največkrat jemal svoje podobe, ugotavlja tudi strukturne, slovnične in kompozicijske značilnosti njegovega podobja. Glavne ugotovitve je mogoče strniti v štiri točke: 1. Kosovel je sredstva t.i. moderne metaforike uporabljal samo v manjšem delu svoje poezije. V Integralih je mogoče najti precej drznih metafor, nekaj primerov absolutne metafore in posamezne primere analogij oz. identifikacijskih podob, kar pa je veliko premalo, da bi Kosovela lahko povezali s futurizmom ali nadrealizmom. Simbolističnih simbolov,ki izrazajo horizontalne korespondence, Kosovel ni uporabljal, izjema sta klavir in jezero. V njegovi poeziji je veliko t. i. naravnih simbolov, toda njihov pomen je konvencionalen in največkrat dešifriran. Velik del Kosovelove poezije je blizu realizmu (predvsem v čistih impresijah) in romantiki (predvsem v pesmih, ki izražajo podobnost med naravo in človekom). 2. V skupino identifikacijskih metafor modernega tipa pri Kosovelu sodijo tiste redke metafore, ki so nastale z apozicijo. Njegove genitivne metafore so še povsem tradicionalne, tehnike prelivanja v njegovi poeziji nismo zasledili. 3. Za simbolistično poezijo so značilne mreže simbolov, teh pa Kosovel ni uporabljal. Integrali so primer montaže disparatnih podob. Pobudo za tak način pesnjenja je Kosovel lahko dobil iz različnih virov, saj je značilen za vsa modernistična gibanja. Kosovel je mestoma uporabljal tudi nominalni stil, impersonalne so samo nekatere pesmi iz Integralov. 4. Motivna območja, iz katerih je Kosovel največ zajemal, so: rože, živali, voda, sonce, mesec, noč, zvezde, nebo, srce, duša, religiozne podobe, glasba, tehnika. Ker se isti motivi pojavljajo v različnih smereh in gibanjih, presoje o tem, v katero smer ali gibanje spada Kosovelova poezija, ne moremo opreti samo na katalog podob. Če upoštevamo tematsko funkcijo posameznih podob, lahko ugotovimo predvsem sorodnost z romantično in ekspresionistično poezijo.

Language:Slovenian
Keywords:slovenska poezija, pesniško podobje, metaforika, metafora, simbol
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:2005
Publisher:Slovensko društvo za primerjalno književnost
Number of pages:Str. 19-34, 145-162
Numbering:28, posebna
UDC:821.163.6.09-1 Kosovel S.
ISSN on article:0351-1189
COBISS.SI-ID:29908578 Link is opened in a new window
Views:687
Downloads:105
Metadata:XML RDF-CHPDL DC-XML DC-RDF
 
Average score:(0 votes)
Your score:Voting is allowed only to logged in users.
:
Share:AddThis
AddThis uses cookies that require your consent. Edit consent...

Record is a part of a proceedings

Title:Kosovelova poetika
COBISS.SI-ID:29804898 This link opens in a new window

Record is a part of a journal

Title:Primerjalna književnost
Shortened title:Primer. književ.
Publisher:Slovensko društvo za primerjalno književnost
ISSN:0351-1189
COBISS.SI-ID:8744704 This link opens in a new window

Secondary language

Language:English
Title:Kosovel and modern poetry: an analysis of imagery
Abstract:
Besides analysing the images that Kosovel used most frequently, the paper also discovers their structural, grammatical and compositional characteristics.The main conclusions can be summarised in four points: 1. Kosovel used so-called modern figures of speech only in a limited number of poems. There are some rather bold metaphors in s, some cases of absolute metaphor and individual cases of analogies or images of identification, but this is not enough to link Kosovel to futurism or surrealism. Kosovel did not use symbolist symbols expressing horizontal correspondences, the only exceptions being the piano and the lake. He used many so-called natural symbols: however, their meanings tend to be conventional, and for the most part decoded. The bulk of Kosovel's poetry tends to realism (particularly in pure impressions) and romanticism (particularly in poems expressing similarities between nature and people). 2. The group of modern identification metaphors in Kosovel includes rare metaphors made with apposition. His genitival metaphors are still wholly traditional. A technique of merging was not established. 3. Symbolist poetry is characterised by networks of symbols, which Kosovel never employed. Integrals consists of montages of disparate images. The idea for this style of writing could have come from any number of sources, since it is typical of all modernist movements. He occasionally uses a nominal style: only a few poems from the Integrals collection are impersonal. 4. Kosovel drew most extensively on the following motifs: flowers, animals, water, the sun, the moon, night, the stars, heart, soul, religious images, music, and technology. Since these motifs appear in different literary trends and movements, it is impossible to identify Kosovel with a particular movement solely on the basis of his imagery. In terms of the thematic function of his images, Kosovel's closest affinity seems to be with romanticism and expressionism.

Keywords:Slovene poetry, literary imagery, metaphor, symbol

Similar documents

Similar works from RUL:
Similar works from other Slovenian collections:

Comments

Leave comment

You have to log in to leave a comment.

Comments (0)
0 - 0 / 0
 
There are no comments!

Back