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Problem Cankarjeve Lepe Vide
Poniž, Denis (Author)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:doc-Z0WXFA00 New window

Abstract
Poslednja Cankarjeva drama, Lepa Vida, napisana leta 1912, je eno tistih dramskih besedil, katerih recepcijski odmevi so pri slovenskih literarnih zgodovinarjih še posebej skromni, a tudi brez jasnih opredelitev o tem, kaj ta drama pomeni za Cankarjevo dramatiko in vso njegovo besedno umetnost. Razprava je uvodno poglavje obsežnejše študije, ki raziskuje zgodovinsko usodo in odmeve, a tudi današnjo recepcijo tega besedila, za katero je značilno, da je pretrgalo z dotedanjo pisateljevo socialno in estetsko angažirano književnostjo in se odprlo drugačnemu razumevanju sveta in človeka. Skozi vrsto načelnih vprašanj, ki jih ponuja Cankarjeva drama, nakazuje razprava svoje pomensko in metodološko obzorje ter probleme, ki jih odpira omenjena študija.

Language:Slovenian
Keywords:literarne študije, Cankar, Ivan, Lepa Vida
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:AGRFT - Academy of Theatre, Radio, Film and Television
Year:2005
Publisher:Slavistično društvo Slovenije
Number of pages:str. 79-87
Numbering:Letn. 50, št. 2
UDC:821.163.6.09
ISSN on article:0021-6933
COBISS.SI-ID:1783899 Link is opened in a new window
Views:487
Downloads:99
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Record is a part of a journal

Title:Jezik in slovstvo
Shortened title:Jez. slovst.
Publisher:Slavistično društvo Slovenije
ISSN:0021-6933
COBISS.SI-ID:746756 New window

Secondary language

Language:Unknown
Title:The problem of Lepa Vida by Ivan Cankar
Abstract:
The last play by Ivan Cankar, Lepa Vida, written in 1912, is one of those literary works that gained an extremely modest reception response from Slovene literary historians; there are also few clear definitions of what this play means for Cankar's playwriting and his entire literary art. The paper is an introductory chapter of an extensive study researching historical fate and response, and also the present reception of this play, which broke ties with Cankar's social and aesthetically enagaged literature of the time, and opened up towards a different understanding of the world and people. Through many question of principle, offered by Cankar´s play, the article points out its framework of method and meaning and the problems that came to light in the above-mentioned study.


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