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Tišina kot hermenevtična oaza glasbe
Veselinović-Hofman, Mirjana (Author)

URLURL - Presentation file, Visit http://www.dlib.si/details/URN:NBN:SI:DOC-CTVQ0AEY This link opens in a new window

Abstract
Besedilo želi prikazati možnost trenutkov glasbene tišine znotraj glasbenega toka in glasbenega zvoka, ki jih prikazuje kot specifične hermenevtične oaze glasbe. Za glasbeno tišino štejejo predvsem kompozicijsko dobljeni segmenti, kjer se tišina uteleša s sredstvi zvoka. In kjer umirjenost stanja zvoka glasbene tišine preskoči v neki drugi prostor: prostor neintencionalnega, ki dejansko spodbuja asociativne in kognitivne poti. Zadevaspecifični suspenz prostora, ki ponuja nekoliko več časa in prostoraza različne tokove emocij in misli, za njihovo avtentifikacijo in utemeljitev; za vzpostavitev in opredelitev naracij in celo njihovega opuščanja. Ta teza se obravnava na primeru treh skladb srbske glasbe iz devetdesetih let 20. Stoletja. Gre za naslednja glasbena dela: The Abnormal Beats of Dogon za basklarinet, klavir, ustno harmoniko, tolkala in živo elektroniko (1991) ter Nisam govorio za altovski saksofon, basovsko ustno harmoniko, recitorja in mešani zbor (1995) Zorana Erića in Nocturne of the Belgrade Spring 1999 AD za komorni ansambel, živo elektroniko in avdio trak (1999) Srđana Hofmana.

Language:English
Keywords:temporal-spatial unity, musical silence, phenomenology of the space of music, hermeneutic 'suspension chord'
Work type:Not categorized (r6)
Tipology:1.01 - Original Scientific Article
Organization:FF - Faculty of Arts
Year:2007
Publisher:Filozofska fakulteta, Oddelek za muzikologijo
Number of pages:str. 333-357
Numbering:Let. 43, št. 2
UDC:78:165.7
ISSN on article:0580-373X
COBISS.SI-ID:36327778 Link is opened in a new window
Views:694
Downloads:178
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Record is a part of a journal

Title:Muzikološki zbornik
Shortened title:Muzik. zb.
Publisher:Znanstvena založba Filozofske fakultete
ISSN:0580-373X
COBISS.SI-ID:16404226 This link opens in a new window

Secondary language

Language:Slovenian
Title:Silence as a hermeneutic oasis of music
Abstract:
This text is an attempt to point to the possibility of the moments of musical silence in a music flow and musical sound, being presented as a specific hermeneutic ćoasisć of music. Musical silence is considered here primarily as compositionally shaped segments where silence is embodied by means of sound. And where the stillness of the sound state of the musical silence breaks into another space: the space of the unintentional, which actually stimulates associative and cognitive paths. It concerns a specific ćsuspensionć space that offers ćsome more time and placeć for various streams of emotion and thoughts, for their ćauthenticationć and justification; for establishing and ćspecifyingć narratives, and even renouncing them. This thesis is elaborated here on the basis of three compositions which belong to the Serbian music of the 1990s. These are: The Abnormal Beats of Dogon for bass clarinet, piano, mouth harmonica, percussion and live electronics (1991) and I have not spoken for alto saxophone, bass-mouth harmonica, actor-narrator and mixed choir (1995) by Zoran Erić and Nocturne of the Belgrade Spring 1999 AD for chamber ensemble, live electronics and audiotape (1999) by Srđan Hofman.

Keywords:glasbena tišina, časovno-prostorska enovitost, fenomenologija prostora glasbe, hermenevtični "akord suspenza"

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